Welcome to the official page for Masters of the Veil, Book Three in The Fylking. This novel is in the works. It’s big, bad and beautiful, and I hope to have it out in 2023…for preorder, at least.
The War of the Veil, they called it, the last in the nine-millennium occupation of the Fylking, immortal overlords of the mortal realm of Dyrregin. Their ancient enemy, a fiendish warlock named Vaethir, wove an intricate spell that compromised the Veil between the worlds and flooded Dyrregin with armies of demons, dark elves and Niflsekt before stalwart mortals with reckless connections to the Otherworld called in some favors.
Scarred yet undaunted, the Fylking’s mortal allies, including seasoned warriors haunted by grief and trauma, an order of witches who serve the old gods, and powerful seers who tend the Fylking’s interests in the mortal world, have returned to their lives to rebuild the realm and bury their dead. And while the Fylking repaired the Veil as only they could, no one trusts the sanctity of liminal spaces as they had before the war.
As warriors know, the lingering effects of war often appear as nightmares, flashbacks and the resurrection of old fears. But distrust deepens when an outbreak of attacks from the Otherworld begins to spread, marked by encounters with dark, dangerous beings that seem to target those most deeply wounded and sensitive to the unseen.
Despite this, mortals and immortals alike take comfort in Vaethir’s demise, knowing the warlock will never again return to wreak his personal vengeance on the realm. But there is one thing they had not counted on, as they put the Fylking’s most redoubtable foe to a fiery sword.
A wounded immortal warlock bent on reprisal.
An ancient order of sorcerers hungry for power.
Warriors beset by armies of demons and immortals.
And a lonely hedge witch whose dark secrets could change everything.
…If only they could find her.
“This is a gem of a novel.” – Leslie Jones, Readers’ Favorite
Read for free on Kindle Unlimited.
Hi beautiful campers. Well, the world hasn’t ended yet, so how about a great deal on a fantasy novel about a dark, lawless bastard who gets pushed too far and decides to save the day—against his better judgment, of course. And so it begins.
So I finally got my cats in a row (it’s a more accurate metaphor than ducks, trust me) on BookBub, a good place to find new books and authors, get deals, recommendations, author updates and the like. If you’re into it, feel free to follow me there. I won’t lose you in a creepy forest, I promise. Well. Not right off, anyway.
The Hunter’s Rede, Book One in The Chronicles of Ealiron, where the Otherworld is alive, nature is sovereign and balance is kept by the sword. The books in this series are driven by an assassin named Lorth of Ostarin, a complex character with a bent toward bringing things to their darkest ends. These books stand alone as individual stories that happen in the same world with Lorth and some of the other characters appearing throughout. Each book includes a map and a glossary.
Below is an editorial review of The Hunter’s Rede from Self-Publishing Review. See it on SPR here.
“A lethal warrior without banner or cause rises to heights of heroism he never sought in The Hunter’s Rede by F.T. McKinstry, a dark and thoroughly fun new fantasy saga.
Tapping into the best elements of high-genre writing, with cryptic wizards, dark powers, and jaw-dropping plot twists, this character-driven knockout is a thrilling pleasure to read. The sprawling new realm of Ealiron is ripe for storytelling, and newly hooked fans will be pleased to know this is only the first in a four-part series.
Lorth is one of the most compelling new fantasy characters in recent memory, summoning shades of Drizzt Do’Urden, Aragorn, and other legendary loners from fantasy lit. Not only is he the most feared and well-paid assassin in the realm, having served the Wizards of Tarth for years, but he is a self-taught practitioner himself, which makes him doubly dangerous, and intriguing.
However, when he falls out of favor with those who have newly seized power, and kills one too many of the wrong people, the enemies begin to close in on him from every side, and fall to his blade. An unparalleled hunter being on the other side of the chase makes for exciting reading, as do the visceral battle sequences and graphic details from this author’s slicing pen. However, this novel is not all sword-swinging and sorcery – there is expert plot-crafting at work as well, not to mention multilevel world-building, original rules for magic, and a compellingly dark streak of philosophy.
The exposition is doled out like delectable crumbs, leading readers gradually deeper into this world, but still ensnaring them fully within the first few chapters. A lyrical meditation on darkness within the human soul, peppered with gripping action scenes that feel cinematic in their effortless intensity, this is a must-read work of fantasy, puppeteered by an author with an ear for authentic dialogue and vivid descriptions. The caliber of the writing deserves additional praise, as the dark mood is rarely broken, and every line of prose feels heavy with intention. “As he waited for Death’s exhale,” or “throbbed with prickling fire, like a glowing coal” are just a glimpse of the subtly brilliant lines that tie this novel together.
There is plenty of “journey narration” in an epic adventure like this, but the frequent twists of language and artful descriptions keep even the longest stretches of travel engaging. There are very few weak points in the writing that stand out – self-referential questions, overuse of internal monologue, and occasional lapses in point of view – and there are some overly familiar tropes and bland narration that could use another editing pass, but these issues are few and far between, and pale in comparison to the sincere pleasure of the reading experience. McKinstry has a masterful pen, one born for this niche of darkly epic storytelling.
All in all, this is a stellar first installment of the Chronicles of Ealiron series, with massive potential to be a heavy-hitting standout in the genre.”
The Hunter’s Rede, Book One in The Chronicles of Ealiron.Only wizards and hunters know the true meaning of darkness. Lorth of Ostarin, a highly paid assassin with the rough skills of a wizard and a penchant for bringing things to their darkest ends, is about to discover there are worse things in the dark than him.
Eadred took the orb into his hands. Something glimmered inside, a tiny star tingling in his palms. His heart began to pound as a force gripped his chest, swirling, writhing, searching. Stars, whales, sun and moon. Her wrath boomed across time, shredding the veil. Terns, seals, white horses roaming the cliffs. She wept in the oldest tongue, her grief and desperation raising tempests. The dead, their pale eyes staring. Her child was gone. She crashed the Gates, sending them soaring end over end into the stars. Then she turned, her emerald slitted eyes fixing on Eadred as she raced, spiraling in a black, spiky maelstrom toward the wound in his heart left by a witch.
WIZARD, she roared, splitting sea from shore. – From The Gray Isles
As any writer will tell you, characters in stories take on lives of their own. Imbued with the forces of creation, the psyche is immensely arcane, and the act of creating something, whether it’s music, a painting, a garden, a book — anything, really — is always a bit mysterious. As for characters in a novel, they have a way of appearing in the writer’s imagination of their own accord, with their own agendas. To me, it feels as if they exist already, in a story that’s happening somewhere, and I’m just tapping into it.
The main protagonist driving the books in the Chronicles of Ealiron is one Lorth of Ostarin, a wizard and elite assassin in service to the Keepers of the Eye, an ancient order of wizards who keep balance in the world. He is sent on assignment to a remote northern archipelago called the Gray Isles to discover why another in his order, a fey, volatile wizard named Eadred, broke his vows to the Eye in an egregious breach of conduct he never explained or attempted to defend. Lorth’s task of getting Eadred to tell him what happened, however, goes straight to hell at the outset, spiraling into a manhunt, a costly encounter with a sea monster, and some nasty backwater politics.
With long hair the color of snow, eyes the color of reindeer lichen and a silvery breath of Elven blood in his veins, Eadred is a powerful rogue element, a trickster whose tormented machinations have gained him great knowledge which he uses to help prevent a rising cataclysm. But aside from Eadred’s having been cursed by a witch and later banished to the isles, we never learn the specific events that drove him to forsake his wizard’s mantle and leave a trail of bloodshed and woe over two realms.
Ealiron: The Gray Isles
For years, I thought about pulling Eadred’s backstory from the shadows and writing it into the book, but all I got were vague impressions, almost as if his past was hidden from me and Lorth alike. The book felt incomplete, somehow, until earlier this year, when the mists cleared and I saw not only the old wounds and workings of Eadred’s mind, but also the rugged string of events that made him the madman who appears in the original edition of the book. In a fury I wrote it down, wove it in, had the whole work beautifully edited, and the third edition was born. Huzzah.
For the record, I’ve added this to my Hah! Fuck You 2020 list. It’s a short list, but hey, we’ll take what we can get.
A immortal warlock bent on reprisal.
An ancient order of sorcerers hungry for power.
Warriors beset by armies of demons.
And a lonely hedge witch whose dark secrets could change everything.
…If only they could find her.
The word is in from Readers’ Favorite for The Wolf Lords, Book Two in the The Fylking! I am grateful and humbled to have received five five-star reviews. Didn’t see that coming. Here’s some bling, with a link at the bottom where you can read the reviews in full.
“This second novel in The Fylking series exceeded all of my expectations for a fantasy novel. An alluring plot weaves intrigue that tempts you into the world of invisible warriors, magical spells and demons. The characters are so vivid and enchanting, they practically leap from the page. I especially loved the tortured, heartbroken character of Othin, who tries to overcome losing his true love. The author’s writing style is beautifully descriptive with so much detail that it draws you completely into the world of the characters. Her ability to build tension and develop character relationships is extraordinary. I could not help compare the storyline to Nordic folklore. This is a gem of a novel.” – Lesley Jones
“The Wolf Lords is definitely a novel for adults. Its dark themes and strains of graphic violence give it an edge. I was easily invested in the story right from the beginning. The vivid imagery and the realistic descriptions just lured me right in and had me reading on until the very end. The story itself is very complex and has layers upon layers of plot that I loved to uncover. The character development was simply amazing. The Fenrir Brotherhood was an enigma that I was very interested in and I also loved the mystery behind the witch who just didn’t want to be found. I loved the flow, enjoyed the setting, and simply cannot wait for the next novel in the series. Very entertaining.” – Rabia Tanveer
“This epic fantasy is a series that had the same effect The Lord of the Rings had on me. The narrative is focused and the author imagines worlds where conflict thrives easily and creates powerful factions with conflicting interests and characters that are sophisticated. The Wolf Lords explores the role played by The Fenrir Brotherhood, an ancient order of sorcerers with dreadful secrets, in a phenomenal conflict. The action is intense and pulsating and the scenes are so beautifully written that they leave vivid images in the minds of readers. F.T. McKinstry establishes a unique, strong signature in the genre of epic fantasy with a series that will set readers on an exciting adventure.” – Christian Sia
“Written for adults due to its dark nature and graphic violence, this is also a highly political and complex tale… The depth of the reading experience is very worthwhile as author F. T. McKinstry puts a lot into the worldbuilding, lore, and history of this setting, giving traditional fantasy fans a lot to sink their teeth into. Different factions have their own ideas about how the world, and the other worlds beyond it, should be run or destroyed, and it’s this mixture of powerful forces which gives the story its excitement. Overall, The Wolf Lords is a superbly told immersive fantasy novel sure to please hardcore fans the world over.” – K.C. Finn
“This is a story that explores the allure of power and the ills that come with it. Conflict is developed at multiple levels and it is interesting how the author builds segments of power and creates powerful groups to oppose each other. The language is unique and the people inhabiting the worlds the author creates have a unique way of naming things. While the characters are drawn from different worlds, the author imbues them with a realism that makes them not so very different from mortals. A sophisticated plot with compelling characters and gorgeous prose. The Wolf Lords follows the tale of an ancient order poised to redeem a world quickly falling apart. It is intense and deeply moving.” – Romuald Dzemo
The Destroyer of the Math Gate has not been idle in the sun’s turn since he nearly defeated the Fylking, his ancient enemies. Wounded, bitter and bent on reprisal, the immortal warlock has gathered an army. He has acquired a spell that will damage the veil between the worlds. And he is waiting.
The Fenrir Brotherhood is an ancient order of sorcerers who serve the Wolf Gods of the North. Haunted by a dark history, the brotherhood keeps to itself—or so it is generally believed. But the older something is, the more secrets it keeps, and the Wolf Lords have not only unleashed an army of demons across the land, but also let the Destroyer in.
When the Veil falls, war erupts and the realm is faced with legions of Otherworld beings, it is left to a sorcerer hunted by the Wolf Lords and a company of King’s Rangers broken by grief and trauma to find a hedge witch whose secrets could change everything.
Only wizards and hunters know the true meaning of darkness.
A hunter of men with a knowledge of magic, Lorth of Ostarin knows.
Though he does not yet know himself.
…His enemies are about to.
It’s a good day for Lorth of Ostarin, the wily assassin and protagonist of The Hunter’s Rede, Book One in the Chronicles of Ealiron. He picked up three five-star reviews on Readers’ Favorite! Here are some shady snippets:
“This is a story with a surprising twist, cleverly plotted and filled with action. I loved the protagonist, a man who seems content with his solitude, a man who carries darkness in his soul, but falling in love with a priestess brings out the human aspect of his personality. F.T. McKinstry is a great storyteller with the skill to grab and keep the attention of the reader. While the plot is gripping with surprises stacked along the way, it was the skillful handling of character that caught my full attention. I am always looking for characters that are intriguing and that constantly reveal new dimensions and this author gave me one in Lorth. The novel has a beautiful setting; a world that is magical where the very nature of coexistence breeds conflict. You won’t notice the passage of time as you read this gripping fantasy.” – Ruffina Oserio
“Fans of traditional fantasy and modern gritty action novels will find a superb balance of the two in the work of author F. T. McKinstry. The intensity of emotions from our anti-heroic central figure was really poignant and strong… This makes for a unique reading experience that really brings you close to Lorth despite his many flaws, engaging you on every page and spinning a fascinating plot that winds and weaves to a satisfying conclusion. Overall, The Hunter’s Rede is a grisly, action-packed extravaganza of fantasy, war, and magic not to be missed, and a superb start to an exciting new series.” – K.C. Finn
“The Hunter’s Rede is a tale of magic and fantasy that explores the darkness in the soul of the protagonist. The writing is terrific and I loved how the author paints images of the characters against the backdrop of the settings. The setting is vividly painted in the reader’s mind and it is easy to follow the characters through time and space. The narrative begins in the midst of action and the action hardly slows down. The protagonist is a sophisticated character, inhabited by darkness, and moved by the strong desire for revenge. While he comes across as a ruthless man, he has humanity, a heart capable of love. He also gets broken. It is interesting to see what becomes of him when cornered. F.T. McKinstry was able to grab my attention right from the opening line and kept me reading until the explosive denouement.” – Romuald Dzemo
Lorth of Ostarin is an assassin trained by a wizard unknown to his kind. He is paid very well to employ both the primeval darkness of a hunter and the ordered light of a mage, an uneasy combination he does not question until he returns home after a long assignment and trips into a turbid river of war, politics and the violation of all he holds dear. Lawless and adept, he picks no sides and takes no prisoners. When his wolfish ways get him imprisoned for crimes he did not commit, he discovers the deeper source of his ability and falls in love with a priestess who frees him to his fate. But the rift in his heart widens under the forces of love, loyalty and the occupation of his realm by a warlord who honors neither hunters nor wizards. To reclaim his homeland, Lorth must bow his head to death itself, a sacrifice that will transform him into the most powerful hunter the land has ever known.
An ancient hierarchy of wizards. Votaries of the old powers. Warlords, fiends and shadows. Introducing the Omnibus Edition of the Chronicles of Ealiron, where the otherworld is alive, nature is sovereign and balance is kept by the sword.
These tales are driven by an assassin named Lorth of Ostarin, a complex character with a bent towards bringing things to their darkest ends. Following his redoubtable exploits, each book stands alone, happening in the same world with Lorth and some of the other characters appearing throughout.
The Omnibus Edition includes Books 1-4, maps and glossaries.
“The main character Lorth is a masterpiece.” – Customer review, Amazon
Book One: The Hunter’s Rede. A swords-and-sorcery tale of one warrior’s transformation by the forces of war, wizardry, betrayal and love. In this tale, Lorth discovers his destiny when his homeland is occupied by a cruel warlord with no respect for the deeper powers of the world.
Book Two: The Gray Isles. Some fish stories should be taken seriously. Very seriously. In this story, Lorth sets off on a routine mission and is drawn into the cataclysmic fate of an Otherworld being that rules the sea.
Book Three: The Winged Hunter. An immortal hunter, a gardener, and some very naughty wizards. In this story Lorth must use his darker abilities to help two powerful wizards protect a maiden from a diabolical immortal predator bent on fulfilling a curse.
Book Four: The Riven God. His greatest challenge yet, Lorth falls afoul of a backwater monarchy stained by evil, a wayward princess, and a dark order of warlocks wreaking ruin. When the wizards declare war, the northern seas churn with unrest and a war god keeps his secrets.
I grew up in the 70s in Houston, Texas, in a relatively old neighborhood near Rice University. Across the street lived a couple named Bob and John. My mother once told me they were married. Looking back, I’ve realized that couldn’t have been true in a legal sense, but at the time I didn’t question it. Bob was a radiologist and John was an animal trainer. Their house was decorated in rich colors and full of antiques and interesting artifacts. They had an old cat, a pair of ferrets and a cockatiel, and their tiny backyard was a jungle of exotic plants. When they went on vacation, I had the honor of taking care of their plants and critters; and when we went away, Bob and John returned the favor. They were awesome and I loved them.
I ate, drank and slept fantasy novels as a kid. It was sanity; it was identity. My first experience of LGBTQ in the genre was Elizabeth A. Lynn’s Chronicles of Tornor. Many of the characters were LGBTQ, and I liked how it was presented, as a matter of fact. Like Bob and John. A big deal wasn’t made of it one way or the other.
Eaglin of Ostarin
When I started writing fantasy, I unthinkingly followed suit. I wasn’t purposefully drafting LGBTQ characters or anything. When it comes to writing, I’m one of those whack jobs who needs to take every step in darkness and see where it leads. And as any author will tell you, characters have a life of their own. They are who they are, straight, queer or whatever. I suspect trying to assign or remove identity would no more work than it would on a flesh and blood person.
When characters with LGBTQ inclinations do appear to me, however subtle, casual or intense–mortals, immortals, elves, warriors, prostitutes, spies, whoever–they do so without taboos or religions trying to shut them down. They might be good or evil or somewhere in between, but their sexual preferences aren’t singled out, marginalized or labeled, let alone persecuted. This isn’t to say horrible things don’t happen to them, or that some jerk won’t take a shot there for lack of something better, but that sort of intolerance is not part of the culture. Frankly? There’s enough of that bullshit in this world, and I’m not about to map it into mine beyond the throes of love, lust and heartache that everyone deals with. So you’re a man and you prefer to fuck men? Huzzah for you. Grab a sword, we have incoming.
Anyway, a protagonist will step up now and then. Here are a few mentions.
“Love knows all paths, where even gods and cats are blind.” – from Raven of the West
My first LGTBQ character, so dear to my heart, is named Urien. He belongs to the highest order of the Keepers of the Eye, a hierarchical order of wizards who maintain balance in the world of Ealiron. Among other things, Urien can shapeshift into flora, fauna, earth, or fog, and he can cast an apparition or merge with the minds of gods. For years, he has haunted the fringe after having loved and lost a powerful male wizard on the verge of ascension. But such secrets do not hide well. When he delves into the darker powers at the bidding of a shady priestess with a hidden agenda, Urien finds himself facing the loss of everything he loves.
Fortunately, his erstwhile lover has a secret, too.
“On soft white pads, he slipped unseen into the trees to the singing of blades and the shudder of the earth drinking blood.” – From “Deathseer”
Liros is the protagonist in “Deathseer,” a short story included in the collection Wizards, Woods and Gods. The commander of an occupying force in a foreign land ruled by the presence of a mysterious alien observatory, Liros has the ability to see the hand of Death, a secret he hides for the sake of sanity, as his commanders would stop at nothing to use it to their own ends.
When a terrible dream drives Liros to check on an outpost, his lords send his lover Thorn, an assassin, to accompany him. Liros knows him well enough keep him close. As Liros’s gift betrays him and exposes a devastating breach of honor by his men, he and Thorn must choose between duty and love, both choices involving bloody consequences.
“Arcmael handed the charm to the sorcerer. Leofwine studied it intently, his face drawn. After a moment he said, ‘This is old magic. Very old.'” – From Outpost
Leofwine Klemet is seneschal to the High Constable of the King’s Rangers. Knowing that the quiet, watchful man’s duties to their lord involve something more intimate than those of a seneschal, the rangers suspect Leofwine is a spy belonging to a dark and ancient sorcerers’ brotherhood. So does the suspicious, vengeful high constable. After fleeing for his life on the eve of war, Leofwine becomes a friend and ally to a ranger who also gets on the wrong side of the high constable after discovering a plot behind a curtain of sorcery. Here, Leofwine’s arcane knowledge comes in handy–for he is a sorcerer, of course. And a spy. But no one needs to know about that.
“Leofwine breathed a foul string of words, the blood on his body and the void of his lover’s death giving them form, the culmination of spit, roots, hate and tears, eyes that never closed, hunger that was never sated. A sudden gale rose up from the north and whipped the trees into a frenzy.” – From The Wolf Lords
In The Wolf Lords, Leofwine’s full potential is revealed, complete with a host of demons, torments and nasty enemies. An adept sorcerer of the Fenrir Brotherhood, Leofwine has given up espionage and now serves a hall in a remote forest as a protector of their interests. It is a thankless job but for his lover, a prince, and shelter from his enemies, both mortal and immortal.
Fenrir sorcerers tend to have long shadows, and Leofwine is no exception. When his enemies catch up to him (which enemies always do) and reveal a devastating secret involving someone he holds dearer than life, Leofwine goes berserk and summons a demon capable of destroying the entire realm in a maelstrom of blood. This redoubtable act gains Leofwine not only the condemnation of his order but also the title of Wolf Lord, a wry designation used by otherworldly beings such as demonic warlords and sea witches to refer to the servants of Loki.
The primordial image, or archetype, is a figure–be it a daemon, a human being, or a process–that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. ― Carl Jung
I once kicked a hole in the kitchen wall. This happened some time ago, in another house, another life. I honestly don’t recall what triggered it. I was wearing a pair of Doc Martens, which made the act particularly satisfying. I can still feel the sensation of the wallpaper exploding as the sheetrock caved in.
I left that hole there for some time, like a sacrifice to a war god. Then one day I knelt there, fixed the sheetrock and lovingly pieced a matched swatch of wallpaper over the wound like a mother patching up a scraped knee. There, there. These things happen.
Don’t get me wrong, this aspect of my personality as gotten me into trouble aplenty. He’s rising to his feet now, yelling, “Yeah only with people who fucking deserved it.” Debatable; however, my inner warrior stepped up like a boss on the battlefield of my childhood, where I took on a legion of thousands-year-old collective beliefs designed to bully women into being safe and predictable. Girls aren’t supposed to kick holes in walls. Keep it under control, don’t threaten the Powers That Be or you’ll be sorry. No talking back. No swearing. No waving swords or apple tree wands. Throw your weight around and we’ll throw you out. Yada yada. At some point I pushed all that noise off the cliff into the sea.
I like my warrior.
Building a Better Battlefield
Fantasy is hardly an escape from reality. It’s a way of understanding it. ― Lloyd Alexander
There’s this quaint idea that fantasy isn’t real, but only worthy as entertainment or worse, escapism. This is right up there with the idea that dark, extreme music makes people angry or violent ― another garden cart load of crap. As a child, unfortunately, I adopted and then chafed under these ideas because I wanted an escape and I wanted the truth. The whole thing just pissed me off.
In fantasy novels I found my warrior, alive and well and ready to teach me how it’s done. I started out reading books and watching movies, until the forces of an ever hungry and curious psyche drove me into writing. After many years cutting my teeth on worldbuilding, the development of writing skills and the maddening vagaries of the traditional publishing industry, an assassin named Lorth of Ostarin stepped out of my subconscious and into the light. “Would you rather kick holes in walls, or tell my tale?” he inquired. Four books later, Lorth has proven himself to be an exemplary spokesperson for my warrior side.
Lorth of Ostarin
Since nothing is complete without music, this tune sums up Lorth nicely:
Variations on The Warrior Archetype
The term “warrior” can evoke many images, some of them simplistic; say, a person engaged or experienced in warfare. But there’s nothing simple about this archetype. There are infinite variations. Here are some of my favorites.
The Noble Warrior
Thus came Aragorn son of Arathorn, Elessar, Isildur’s heir, out of the Paths of the Dead, borne upon a wind from the sea to the kingdom of Gondor. ― J.R.R. Tolkien, The Return of the King
Who doesn’t love this guy? He has legendary ancestors, lofty titles, powerful friends and a destiny. He’s done his time. He plays by the rules. His sword has an elven name you can’t pronounce. The golden standard by which all variations of the warrior archetype are defined, he can send you and your shit packing with a deadpan stare.
A Tolkien votary from a young age, I was properly initiated by Aragorn. But I was so innocent. Like a little hare beneath the gaze of a great horned owl.
The Initiated Warrior
A warrior acts as if he knows what he is doing, when in effect he knows nothing. ― Carlos Castaneda
In ancient Norse traditions there were berserkers and warrior shamans called úlfheðnar (wolf-hides), who underwent brutal, powerful initiations. In the wilds they lived like wolves, to reach a state of possession and thereby acquire the beasts’ strength, fearlessness, and fury.
Ripley vs. The Alien Queen
Initiation rites for warriors are as old as time. But sometimes, a person with a warrior’s soul may not be aware of what she’s capable of until put to the test. To my mind, Ellen Ripley of Alien fame fits this aspect well. A warrant officer and first mate of the Nostromo, she becomes the badass we all know and love as the crew starts to realize what manner of thing they’re up against. The sole survivor of a terrifying battle with a superior life form, she goes on to set the record straight for every scientist, android and military type who crosses her path. Who knew?
The Reviled Warrior
Nobody loves a warrior until the enemy is at the gate. ― Unknown
Geralt of Rivia
Geralt of Rivia, the protagonist of Andrzej Sapkowski’s Witcher series, is one messed up dude. Trained as a child by a dark order of warriors called Witchers, he develops supernatural abilities via rigorous training and a ghastly transformation involving sorcery and narcotics, thereby rendering him capable of hunting the nonhuman fiends and beasties that haunt the wilds. With the eyes of a viper, milk-white hair and a collection of scars, he is hated and feared across the land ― until some constable’s daughter ends up shredded by a harpy or something, at which time they are happy enough to hire him.
A thankless job, but somebody has to do it.
The Broken Warrior
He who conquers himself is the mightiest warrior. ― Confucius
Elric of Melniboné
Michael Moorcock’s Elric saga is old-school sword and sorcery at its finest. The protagonist, Elric of Melniboné, is the reluctant emperor of a mighty race with a well-earned reputation for cruelty. Elric is born flawed, an albino with weakness he is only able to overcome with drugs made from herbs and such. Disgusted by his own people, he ventures into the greater world to find his fortune. But he serves Chaos, and wields a malevolent sword named Stormbringer that drinks the souls of its victims, an addiction to which our hero swiftly succumbs, as the blade gives him strength as nothing else can.
Thus tormented, Elric destroys everything he loves, slaughters his own race and at some point has no fucks left to give. He tries to destroy Stormbringer, to bury it, to hide it away. But of course, “What you resist, persists,” and it’s only a matter of time before he’s driven to pick it up again. So it goes.
I’m still rooting for him.
Finally, if anything sums up the more shadowy aspects of the warrior archetype, this song does. And well, you know, Seether. C’mon.
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