Wolves, Ravens and the Hooded One

Wolves and ravens. Romanticized, vilified and deified, these intriguing creatures reflect our dreams and shadows like few others. One source of their fame in popular imagination began in ancient Scandinavia, where reverence for wolves and ravens was not only pragmatic, such as the symbiotic relationship in which the animals led hunters to prey and shared in the spoils; but also pantheistic, by connecting to and identifying with the animals as helpers, shamanic totems, and messengers of the gods.

Enter Odin, the Allfather in the Norse pantheon. A deity par excellence, Odin is the one-eyed, all-seeing god of war, magic and wisdom. He is a complex and enigmatic figure, associated with poetry and inspiration, madness and battle fury. He hungers for knowledge. A notorious shapeshifter, he is known as a trickster who might grant favor to a devoted follower only to vanish when most needed. Odin is a patron of shamans, poets and magicians who, in their search for truth and pattern, endure grueling trials of hardship and isolation.

Wolves and ravens are Odin’s familiars, of a sort.

Among the many names attributed to Odin is Raven God. The connection between Odin and ravens is deep and ancient, existing before the Viking Age. A god of death and war, Odin was naturally associated with these carrion birds, the beneficiaries of sacrifices and battlefields, and harbingers of the god’s favor. In keeping with Odin’s intellectual nature, ravens are also extremely intelligent. Two of these birds, Hugin (thought) and Munin (desire), fly over the land and tell him of all they see and hear.

In traditional animal lore, crows and ravens are given the honor of belonging to both the seen and unseen realms. They are creatures of the hinterlands, mysterious, powerful and devious. That these birds tend to accompany death also makes them ominous, both feared and revered by their presence on the carcasses of animals, the condemned, or fallen warriors. They are omens, symbols of the implacability of death, and bringers of information from the other side.

Odin is also accompanied by two wolves, Geri and Freki (both meaning “ravenous” or “greedy one”). He gives his wolves all of his food, and drinks only wine. The wolves are said to roam over battlefields, devouring carnage. As the ruler and bestower of battle madness, Odin is the patron god of berserkers and warrior shamans called úlfheðnar (wolf-hides), who underwent powerful initiations in the wilds, living like wolves, to reach a state of possession and thereby acquire the beasts’ strength, fearlessness, and fury—much to the terror and dismay of their enemies.

On the flip side, Odin is the enemy of Fenrir, a monstrous wolf sired by Loki, a wily and ambivalent trickster god. When Fenrir grows out of control, the gods are compelled to chain the wolf using deception, a stunt that comes with a great sacrifice. Fenrir will break free at Ragnarok, the fall of the cosmos, and devour everything in his path, including Odin. Another story tells of Fenrir’s sons Skoll (One Who Mocks) and Hati (One Who Hates), wargs that chase the sun and moon through the sky in hopes of devouring them. At Ragnarok, they will catch their prey, and the sky and earth will darken and collapse.

The wolf, with its ferocious and apocalyptic reputation in Norse mythology, its prowess and grace in nature, and a distinctive howl that puts a primordial chill on the flesh, is an exemplary metaphor, an antagonist in many a dark tale, and a patron of warriors.

Given the frequent appearance of wolves and ravens in mythology, legends, folk and fairy tales throughout the ages, and their remarkable natural traits, it’s easy to see why they are so common in works of fantasy. Battle prowess, cunning, guile, mystery, trickery and darkness—imagery and metaphors abound. My own work is no exception; a love of Northern European mythology and the grim and sublime traits of wolves and ravens inspire me to no end.

In the Chronicles of Ealiron, an ancient hierarchy of wizards holds the raven as the highest level of attainment in the magical arts. The wolf takes on its spookier characteristics in the lore of the Old One, a goddess of life, death, and transformation. In her darkest aspect, the Destroyer, she appears in the shape of a wolf. Water Dark, a novella that takes place in the world of Ealiron, delves deeply into the shadowy, fickle nature of this being, who commands a high price for being summoned, good or ill.

Lorth of Ostarin, the driving force in the Chronicles of Ealiron, is an assassin raised by a wizard. He has the eyes of a wolf and an affinity for ravens, which, being the opportunistic creatures they are, tend to follow him around in much the same way they follow wolves, and for the same reason: to clean up the mess. Lorth and his grim companions also appear in “The Om Tree,” a short story told by an ancient tree that gets its best gossip from—you guessed it—ravens.

The Norse gods haunt many worlds, not just Earth. In Outpost, Book One in The Fylking, Odin, in keeping with his nature, appears at strange times and in strange ways, leaving our protagonists to wonder what he is and whose side he’s on. He goes by many names: Hooded One, Wanderer, Magician. He is served by the Fylking, immortal, Viking-like warriors who take the shapes of wolves and ravens, among other things, though even they can’t guess his agenda. The Wolf Lords, Book Two, delves into the Fenrir Brotherhood, an ancient order of sorcerers who serve the Wolf Gods of the North, including, it is said, Loki himself. Fenrir is their patron, a force used in a variety of nasty ways that don’t always serve the ones who summon him.

Odin, of course, lurks in the shadows, watching and waiting.

Little Tree, by F.T. McKinstry

If you’d like to see something beautiful about the value of wolves in nature, watch this: How Wolves Change Rivers

And if ravens fascinate you, do check out the work of Bernd Heinrich, a naturalist who has done fantastic research on ravens in the wild:
Ravens in Winter
Mind of the Raven: Investigations and Adventures with Wolf-Birds

Norse mythology? Here’s a good website, and it includes a reading list: Norse Mythology for Smart People

Little Tree, by F.T. McKinstry

The Chronicles of Ealiron
The Fylking
Outpost
The Wolf Lords
Water Dark
The Eye of Odin

© F.T. McKinstry 2018. All Rights Reserved.

The Spooky Forest

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When I was a child, my grandparents lived on a golf course. It was a beautiful place, mysterious and sprawling with woods, lakes and paths. A good place to go fishing, only mind the snakes and snapping turtles. Not far from my grandparents’ house, a path went through a dense patch of woods with a stream running through it. We called it the Spooky Forest. It was generally agreed upon that straying from the path was a bad idea.

Far be it for me to write something that doesn’t have woods in it–the creepier the better. So I’m honoring my childhood haunt with today’s release of the Second Edition Ebook of Wizards Woods and Gods, a collection of twelve dark fantasy tales exploring the mysteries of the Otherworld through tree and animal lore, magic, cosmos, love, war and mysticism.

These stories reflect some general themes, as follows. Click on the story links for descriptions, excerpts and illustrations.

The Power of Creation

Shade Falls

“These things three, your garden needs
“To make the dark and light the same.
“Slis, a frog,
“Gea, the spring and
“Retch, the oldest wizard’s name.”
– From “The Trouble with Tansy”

The forces of creation exist in all things, flora and fauna, seasons, worlds, every act of the heart, every loss and turn of a mind. Light comes from the Void and surprises its creators with something new and heretofore unknown. In “The Trouble with Tansy” and “The Fifth Verse,” two women, a mortal and an immortal, discover the power of creation through the inexorable forces of death.

The Immortal Hunter

Sioros

Had she not been so entranced, Oona might have noticed the shadow falling over her, soft and quiet as a forgotten dream. A wizard can be very sneaky when he wants to. And there he stood, in the fading light of the setting moon, staring down at the remains of his crow with an expression that could have cracked a standing stone. – From “Eating Crow”

Wizards call him sioros, an immortal predator with the body of a male god, towering black wings and the claws and fangs of a mountain cat. To lay eyes on him means either heartbreak or death depending on how the winds blow that day. In “Eating Crow” and “Marked,” one woman attempts to elude the hunter and pays with her heart; the other tries to bargain with him and pays with her life.

War and Transformation

The Glass

A sun’s cycle had passed since Solfaron set its predatory gaze on the Glass. With a warrior’s edgy calm, Liros had told Pael that he lived on the wrong side of the border, in the wrong land, with his forest, his visions, and his sacred observatory. But Pael cared little for his older brother’s admonitions. He loved the land of Moth with all his heart; he had touched the towering crystal observatory of the Glass and he knew what it could do. Solfaron could try to take it but they would fail. Only his love for Liros kept Pael concerned with it at all. War did not affect him, a mystic living in the wilds like an animal.

He questioned this now, as he ran for his life beneath the thunder of warhorses and the shouts of his brother’s men. – From “DeathSeer”

War destroys the fortresses of innocence with the awesome indifference of a natural force such as an earthquake or a hurricane. Whatever its causes or intentions, it changes things. Permanently. But while it can drive us to the depths of human depravity, sometimes, as with any traumatic event, it can also awaken us to our potential. In “The Bridge,” “DeathSeer” and “Earth Blood,” a priestess and two warriors find themselves caught in wars that strip the veils from their eyes to reveal their true natures.

Awakening Gods

The Temple of Math

Between the gnarled, twisted trunks of two oak trees loomed a black opening. Roots draped over and around the darkness inside as if to feed on it. Sethren walked slowly, his body aching and his heart pounding, until he stood at the threshold. Cool air breathed from the shadows. He could barely discern the images in the cracked stones for the moss and ivies clinging in the lines—except for one at the top: an interlocking five-pointed star with a black stone eye in the center.

Five points, five lines and a raven’s eye.

He had found the Temple of Math. – From “The War God Sleeps”

Some say that everything we know is the dream of a god. I am fascinated by the idea of a sleeping god, a being who comes from and must occasionally return to the quiescence of the womb, as all things do, for healing, renewal and rebirth. In “The War God Sleeps” and “The Origin,” one god is awakened by a mortal; the other, by his own creation.

Love

dormouse-in-ivy

Movement caught his attention. In the distance, Rosamond sat on the edge of the rushing water, on a wide rock, her long legs bared and her face tilted back to the sun like a contented cat.

Urien called out with enough force to shake the ground. “ROSAMOND!”

She stirred, beamed a glorious smile and waved.

Urien’s foreboding rose with the force of the river. He cupped his hands to his mouth. “Get away from the water!”

Her smile faded as she turned. From the north, an enormous bore from an unseen tide rose up into a wall of crashing, maleficent, white-green waves. Rosamond shrieked and jumped up. Urien raised his hands and cried a string of words that rent the course like a scythe, but he could not drop the river before it swept her into its foamy clutches without a sound. – From “Water Dark”

Love, being every bit as powerful as, if not easily compared to, a creepy forest, naturally rears its head in most of these stories. But in “The Om Tree,” “Pattern Sense” and “Water Dark,” an assassin, a knitter and a wizard are caught up in love’s brambles and encounter their powers there.

Little Tree, by F.T. McKinstry

© F.T. McKinstry 2017. All Rights Reserved.

Wizards, Woods and Gods

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The Otherworld takes shape in this collection of twelve stories told on a rich, fairytale tapestry of swords, sorcery, romance, dreams, visions and verse. Some of these stories inspired my novels; others were inspired by them; and some take place in the same worlds. Many of these stories have been published in fantasy/scifi magazines.

This second edition, available in ebook and print, includes Water Dark, a novella that takes place in the world featured in the Chronicles of Ealiron. The first edition ebook of Wizards, Woods and Gods was published by Wild Child Publishing, 2012; and Water Dark was published by Wild Child Publishing, 2013.

Little Tree, by F.T. McKinstry

Click on the following stories for illustrations and excerpts.

Earth Blood – The earth keeps secrets. A warrior discovers ancient power in his veins when he’s plunged into the political corruption of a war devised to hide the truth of his mother’s death.

The Om Tree – Trees know things. A tree planted by a god at the dawn of a forest and raised in close proximity to an energy well beneath a wizards’ citadel knows a great many things. In this story, a wizard-assassin loses what is most dear to him and thereby learns the true nature of his art.

Pattern Sense – It all started with a mouse. A knitter discovers the strengths and pitfalls of an ancient power through the love of a warrior.

The War God Sleeps – When a lush, fertile land is seized by drought, a lonely hermit’s son ventures deep into the hills in search of water and there awakes a beautiful, yet terrible god whom the world has learned to live without.

The Fifth Verse – An ancient immortal entity defies the rules of her kind by falling in love with a mortal warrior, an indiscretion that leaves her grieving, pregnant and dependent on the help of a wizard whose army was responsible for the death of her beloved.

Deathseer – Under the influence of a mysterious observatory, the commander of a fearsome army is trapped in a conflict that eventually costs him his honor and the life of his brother, and drives him to accept an inborn magical ability that changes his destiny.

The Trouble with Tansy – An orphaned girl on the threshold of womanhood inherits a splendid, mysterious garden from three generations of wisewomen. When a roguish wizard attempts to impress her by disrupting the seasons, she must turn to the old powers for help.

Marked – The mother of a fey child learns the pitfalls of mingling with immortals when her boy is taken by a ferocious winged monster at the request of the god who fathered him.

Eating Crow – A masterful, wayward shapeshiftress angers a wizard who curses her by summoning a diabolical immortal hunter that puts her near death and forces her to seek the wizard’s cat, a gentle, mystical creature that alone can heal her wounds.

The Bridge – A visionary who spent her life preparing for a planetary alignment that will materialize a beautiful nature spirit only she can perceive, descends into her blackest fears when she is abandoned to a war for which she is indirectly responsible.

The Origin – A woodsman discovers that he is a god who created everything around him to know the love of a woman whose mortality drives him to the brink of annihilation.

Water Dark – In the calm deep waters of the mind, the wolf waits. This novella is a tale of desire and deception told on a fairy-tale landscape of arcane texts, herbal lore, visions and disasters at the hands of the powerful.

Little Tree, by F.T. McKinstry

WWG Print Cover ArtSecond Edition
175 pages
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© F.T. McKinstry 2018. All Rights Reserved.

Ealiron Glossary Terms: Loerfalos

Welcome to Ealiron Glossary Terms, a series of posts in which I discuss fantasy terms in Chronicles of Ealiron: Terms and Places, the online glossary for the series. Today’s term is loerfalos.

loerfalos (lo ER vah los): In Aenspeak, “serpent of green darkness.” A very large, immortal dragon-like creature that lives in the northern seas. A First One. Always female. See also First One.

Little Tree, by F.T. McKinstry

Loerfalos

When the moon stares dark, she sees true;
Beneath the surface, green and blue.
Living darkness births the light;
Out of sight, out of sight. – From
The Gray Isles

Also called the Mistress of the Sea, the loerfalos is, to most folks in the world of Ealiron, a legend. The Keepers of the Eye, wizards who generally know better, call her a First One, an immortal created by a union between the Old One and a god named Om, the creator of Ealiron himself.

Mistress of the Sea, by F.T. McKinstry

Mistress of the Sea

The loerfalos is a creature of the Divine Feminine, and the sea is her domain. An awesome force, vast, mysterious and mostly unseen, the sea is a metaphor par excellence for the Old One, the primeval void from which all things come. A creature of the Otherworld, the loerfalos moves between dimensions, making her elusive and unbelievable. This is typical of the Otherworld, as it exists above the time-space matrix. The appearance of beings such as gods or immortal creatures bears a quality of the unreal because Others are not bound to the structures of the physical dimension. To mortals, they don’t make sense. Like dreams.

Annihilation, by F.T. McKinstry

Annihilation

The sailors of Ealiron’s northern seas are a superstitious lot and wouldn’t dare to speak of the Mistress as a mere legend. But in places like the Gray Isles, the boundaries between truth and legend are as blurred as an autumn fog. In a port tavern on a busy night one might hear many yarns which can be chalked up to rumors, the weird nature of the sea or too much whisky; but in truth, seeing a loerfalos is exceedingly rare. Wizards maintain that her appearance heralds transformation on a large scale…usually unpleasant. For this reason, sighting her is considered most inauspicious.

Nightshade by the Sea

Nightshade by the Sea

Little Tree, by F.T. McKinstry

In The Gray Isles, Book Two in the Chronicles of Ealiron, the Mistress of the Sea makes numerous appearances as she takes an unheard-of interest in a fisherman’s son surrounded by tragedy, mystery and dreams. Enter a powerful wizard on a routine mission and an assassin with a broken mind and the realm is faced with annihilation at the hands of the Otherworld.

In The Riven God, Book Four in the Chronicles of Ealiron, the Mistress assumes the mantle of the Destroyer, the darkest aspect of the Old One, to protect and avenge an ancient wrong hidden in the Otherworld by a god.

© F.T. McKinstry 2014. All Rights Reserved.

Wizards, Woods and Gods: 2nd Print Edition

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The Otherworld takes shape in this collection of twelve stories told on a rich, fairytale tapestry of swords, sorcery, romance, dreams, visions and verse. Ancient gardens, lost temples, cosmic alignments, immortal predators, assassins, shapeshifters, warriors and maidens will transport you to realms where the rules are different and nothing is as it seems.

The Second Print Edition of Wizards, Woods and Gods, originally published as an ebook by Wild Child Publishing, includes “Water Dark,” a novella that takes place in the world featured in The Chronicles of Ealiron.

Click on the following links for illustrations, descriptions and brief excerpts.

The Om Tree – Trees know things.

The Trouble with Tansy – Gardens are made of darkness and light entwined.

Pattern Sense – It all started with a mouse.

The War God Sleeps – An age of ignorance ends on the edge of a sword.

The Fifth Verse – The wise men of the world called her a Shade.

Earth Blood – The earth keeps secrets.

Eating Crow – It is never a good idea to anger a wizard.

Deathseer – Death doesn’t take sides.

The Bridge – Gods appear to wizards as one thing; to warriors, another.

Marked – Beware the pitfalls of mingling with immortals.

The Origin – Things aren’t always what they seem.

Water Dark – In the calm deep waters of the mind, the wolf waits.

Little Tree, by F.T. McKinstry

Twelve Stories
160 Pages
Available on Amazon.

Reviews

“All the stories are interesting and fun to read… This author gives her stories depth and gave this reader the feeling I was actually in that time and place…” – Long and Short Reviews (Read Entire Review)

“These are short stories but there is a lot of story in each one. They are well told and I enjoyed every one. I will be buying more McKinstry books.” – Review on Amazon

“F.T. McKinstry writes in a way that involves all the senses. It’s not something I read line by line, but sensation by sensation. Highly recommended.” – Review on Barnes and Noble

“…filled with poetic imaging and storytelling that breathes more than just life into the stories…elevated the telling into the fantasy realm even without subject matter that also took place there.” – Review on Goodreads

“Short stories that run the gamut from humour, fantasy all the way to science fiction. I found it a very easy read and would highly recommend it!” – Review on Goodreads

“Each story is set in a fantasy setting, in a world full of magical elements and mythical beings. They are told in a language that is richly descriptive and in my opinion, it helped to make the reader get into the atmosphere of the stories.” – Review on Goodreads

“I think my favorite story was Eating Crow, involving a shapeshifting female who rarely takes the form of a mortal woman. In Deathseer, there is such a memorable quote by an assassin of all people: ‘Love is the difficult choice, Thorn said quietly. Fear is easy.'” – Jessica Nicholls, author of Into the Arms of Morpheus. (Read Entire Review)

“This is my introduction to the literature of FT McKinstry, and I’m positively in love with her writing style!” – R.A. Sears, The Ragnarok Legacy (See Entire Review)

“Water Dark was an engaging dark fantasy. It was very well written, plot driven, and pulled me in immediately.” – Wicked Readings by Tawania (See Entire Review)

“Water Dark is a tale that should delight both fantasy fans and devoted followers of F.T. McKinstry. It provides an unexpected conclusion keeping the novel rather cryptic and mysterious…” – Writer Wonderland (See Entire Review)

© F.T. McKinstry 2015. All Rights Reserved.