The Wolf Lords

The Wolf Lords Cover Art

Welcome to the official page for The Wolf Lords, Book Two in The Fylking, a fantasy series woven with Norse mythology, swords and sorcery.

Little Tree, by F.T. McKinstry

The Destroyer of the Math Gate has not been idle in the sun’s turn since he nearly defeated the Fylking, his ancient enemies. Wounded, bitter and bent on reprisal, the immortal warlock has gathered an army. He has acquired a spell that will damage the veil between the worlds. And he is waiting.

The Fenrir Brotherhood is an ancient order of sorcerers who serve the Wolf Gods of the North. Haunted by a dark history, the brotherhood keeps to itself—or so it is generally believed. But the older something is, the more secrets it keeps, and the Wolf Lords have not only unleashed an army of demons across the land, but also let the Destroyer in.

When the Veil falls, war erupts and the realm is faced with legions of Otherworld beings, it is left to a sorcerer hunted by the Wolf Lords and a company of King’s Rangers broken by grief and trauma to find a hedge witch whose secrets could change everything.

Unfortunately, she is hiding between the worlds.

Little Tree, by F.T. McKinstry

Novel, 406 pages
Includes a map and a glossary.
Edited by Leslie Karen Lutz
Reviews
Add to Goodreads

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Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking.

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil.
Until now.

“The tone is excellent, reminiscent of some of the earliest examples of grim Norse fantasy.” – G.R. Matthews, Fantasy Faction

SPFBO Finalist

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© F.T. McKinstry 2017. All Rights Reserved.

Summoning Fenrisúlfr

Summoning Fenrisúlfr

“Summoning Fenrisúlfr”
Background cover art for The Wolf Lords, Book Two in The Fylking

 

The older something is, the more secrets it keeps.

Leofwine Klemet of House Earticael is a sorcerer of the Fenrir Brotherhood, an ancient order of magicians who serve Loki, Prince of Wiles and the Father of Hel. Leofwine has his doubts as to whom his masters serve, however. Given the order’s bloody, patchy history, of which Leofwine is an expert, if the brotherhood served anyone it was Othin, the Allfather, a master of sorcery and runes who reveled in the grim tides of war. A trickster and consummate shapeshifter, the Hooded One would be more than pleased to move in the shadows of Loki’s dastardly reputation.

But Leofwine keeps his doubts to himself.

Once a transcriber in the King’s Archive, and a Fjorginan spy, Leofwine now serves a hall in a remote forest as a protector of their interests. It is a thankless job, but for a lover and some shelter from his enemies, both mortal and immortal.

But Fenrir sorcerers tend to have long shadows, and Leofwine is no exception. When his enemies catch up to him (which enemies always do) and reveal a devastating secret involving someone he holds dearer than life, Leofwine goes berserk and does the unthinkable: he summons Fenrisúlfr, a demon capable of destroying the entire realm in a maelstrom of blood. This redoubtable act gains Leofwine not only the condemnation of his order but also the title of Wolf Lord, a wry designation used by otherworldly beings such as demonic warlords and sea witches to refer to the servants of Loki.

Ironic. But that’s the trouble with doubts. They can betray you and ruin your day.

Little Tree, by F.T. McKinstry

The Wolf Lords, Book Two in The Fylking.

The Fenrir Brotherhood is an ancient order of sorcerers who serve the Wolf Gods of the North. Traditionally hired by warlords to protect their own bloody, ambitious interests, the brotherhood now keeps to itself.

Or so it is generally believed.

The older something is, the more secrets it keeps. And with the help of the Fylking’s enemies, the secrets of the Wolf Lords are about to unleash armies of demons across the land.

Those with second sight will be the first to die.

Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking.

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil.
Until now.

“The tone is excellent, reminiscent of some of the earliest examples of grim Norse fantasy.” – G.R. Matthews, Fantasy Faction

Finalist, SPFBO 2016

 
© F.T. McKinstry 2017. All Rights Reserved.

Raven of the West

Cover Art

In the calm, deep waters of the mind, the wolf waits.Raven of the West

A tale of desire and deception told on a fairy-tale landscape of arcane texts, herbal lore, visions and disasters at the hands of the powerful. Raven of the West is a standalone novella that takes place in the world of Ealiron, and features Eaglin of Ostarin, a main character in the Chronicles of Ealiron.

This novella is also included in Wizards, Woods and Gods, a collection of twelve dark fantasy tales exploring the mysteries of the Otherworld through tree and animal lore, magic, cosmos, love, war and mysticism.

Originally published as Water Dark by Wild Child Publishing, 2013.

Little Tree, by F.T. McKinstry

In the western-most crumbling halls of a mountain citadel lives a lonely wizard named Urien, a master of his art and a fledgling priest of a primordial goddess of transformation. Though his training is extensive, no training could prepare him for a broken heart. For years he has lived on the fringe after having loved and lost a powerful male wizard on the verge of ascension. But such wounds do not hide well. When he delves into the darker powers at the bidding of a shady priestess, Urien’s heart reveals itself as a grim warning from the goddess herself, in the shape of a wolf.

In the wake of this unsettling experience, Urien discovers that his most gifted apprentice, a beautiful, wild-tempered woman—and the partner of his erstwhile lover—is in grave danger. A series of swift-moving mishaps including a second warning and a badly backfired protection spell lands Urien into a love triangle that exposes not only his deepest desires but also the black machinations of the priestess who deceived him. When she wields her full power against him, he must reconcile his heart in order to save his lovers and himself from isolation and death.

Little Tree, by F.T. McKinstry

Novella, 50 pages
Third Edition
Edited by Leslie Karen Lutz
Map: Ealiron: Sourcesee and West

Little Tree, by F.T. McKinstry

“This is my introduction to the literature of FT McKinstry, and I’m positively in love with her writing style!” – R.A. Sears, The Ragnarok Legacy

“An engaging dark fantasy. It was very well written, plot driven, and pulled me in immediately.” – Wicked Readings by Tawania

“A tale that should delight both fantasy fans and devoted followers of F.T. McKinstry. It provides an unexpected conclusion keeping the novel rather cryptic and mysterious…” – Writer Wonderland

“Like her full length novels, this story is well thought out and told in such poetic, beautiful language. A very enjoyable story!” – Amazon Customer Review

“As a long story, this is an ideal length for deepening our understanding of the psychic forces at play in the world of Ealiron. The story focuses on the complex interplay of four characters and explores their powers, their secrets and their loves, their battles of wills, their manipulations and treacheries, their sense of tragedy and loss. – Michael D. Smith, author of the Jack Commer series

Little Tree, by F.T. McKinstry

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© F.T. McKinstry 2021. All Rights Reserved.

Sorcerer in the Abyss

Leo Sketch

The abyss is never far from the summit. I am fond of this concept, not because it sounds romantic, but because it reminds me of a basic truth. I am presently working on The Wolf Lords, the sequel to Outpost and the second installment in my high fantasy series The Fylking. It’s going well, and at some point I decided it was high time to start working on the cover art. Past time, in fact.

I love painting things like this. So I sketched it up, put it on my easel, got out all my oil paints and accoutrements and well, that was a week ago and there it still sits–in my way, of course–with this monstrous black abyss swirling around it that will, if I go near the thing, suck me in and annihilate my soul and that’ll be the end of it.

There are names for this phenomenon, I’m sure. I could write a textbook about it and yet, romantic platitudes aside, the sketched board is still on the easel collecting cobwebs and I can’t start the thing to save my skin. It’s not as if I don’t do this sort of thing like, every day. But sometimes the summit, that high I get when the numinous floods up and turns into something cool, is so far away all I can see is the abyss. It is an empty, lonely place.

How This IsJust…pick up a tube of paint and squirt it on the palette. No, not black! How about green. Aaaahahahahah this sucks. I hate painting.

The character in the sketch above, his name is Leofwine. A sorcerer of the Fenrir Brotherhood, he’s more adept at dealing with his personal demons than I am.

Death metal might help.

Write a blog post about it, that’ll inspire me. I can write anything, here. I’m a fantasy author. Here we go. I am about to start this painting, yes I am, right after I post this. You all heard me say it.

Little Tree, by F.T. McKinstry

The Wolf Lords, Book Two in The Fylking.

The Fenrir Brotherhood is an ancient order of sorcerers who serve the Wolf Gods of the North. Traditionally hired by warlords to protect their own bloody, ambitious interests, the brotherhood now keeps to itself.

Or so it is generally believed.

The older something is, the more secrets it keeps. And with the help of the Fylking’s enemies, the secrets of the Wolf Lords are about to unleash armies of demons across the land.

Those with second sight will be the first to die.

Coming in 2017.

Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking.

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil.
Until now.

© F.T. McKinstry 2017. All Rights Reserved.

Book Review: Outpost

LITERARY TITAN

Outpost (The Fylking, #1)5 Stars

Delve into this mystical world populated with equally mystical beings. In Outpost by F.T. McKinstry we are introduced to a race of beings called The Fylking. Ethereal beings that have crossed over the universe and jumped from their world to the world of Math. These creatures shift from animal forms to those resembling a human but not quite. They cannot be seen by just anyone yet everyone knows they exist. A group of individuals known as Wardens act as liaisons between these beings and the rest of the world. For better or worse, they are entwined. We have three main characters who will shape the tale: Arcmael, a Warden, Melisande who is a woman that knits and Othin, a Ranger in the king’s employ. Innocent interactions beget the telling of an intricate tale: one that will see war, death and heartache feed off each other. Each of the three holds…

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Love, Swords and Fairy Tales

Alstroemeria, by F.T. McKinstry

I’m one of those old cynics who thinks Valentines Day is a capitalistic scam. There, I said it. Love, however, that’s another thing. Love makes the universe live and breathe. So today, because we’re thinking about it, I’ll express my love for all of you: thank you for the support, friendship, follows, tweets, RTs, likes, shares, replies, reads, reviews and anything else that shines light and makes the world a kinder place.

Wizards, Woods and Gods is a collection of twelve fantasy stories, all of which involve love in one way or another (because I’m a sucker at heart).

Little Tree, by F.T. McKinstry

WWG Print Cover Art

The Otherworld takes shape in this collection of twelve stories told on a rich, fairytale tapestry of swords, sorcery, romance, dreams, visions and verse. Ancient gardens, lost temples, cosmic alignments, immortal predators, assassins, shapeshifters, warriors and maidens will transport you to realms where the rules are different, nothing is as it seems and the heart keeps the balance of ages.

Click on the following stories for illustrations and excerpts.

Earth Blood – The earth keeps secrets. A warrior discovers ancient power in his veins when he’s plunged into the political corruption of a war devised to hide the truth of his mother’s death.

The Om Tree – Trees know things. A tree planted by a god at the dawn of a forest and raised in close proximity to an energy well beneath a wizards’ citadel knows a great many things. In this story, a wizard-assassin loses what is most dear to him and thereby learns the true nature of his art.

Pattern Sense – It all started with a mouse. A knitter discovers the strengths and pitfalls of an ancient power through the love of a warrior.

The War God Sleeps – When a lush, fertile land is seized by drought, a lonely hermit’s son ventures deep into the hills in search of water and there awakes a beautiful, yet terrible god whom the world has learned to live without.

The Fifth Verse – An ancient immortal entity defies the rules of her kind by falling in love with a mortal warrior, an indiscretion that leaves her grieving, pregnant and dependent on the help of a wizard whose army was responsible for the death of her beloved.

Deathseer – Under the influence of a mysterious observatory, the commander of a fearsome army is trapped in a conflict that eventually costs him his honor and the life of his brother, and drives him to accept an inborn magical ability that changes his destiny.

The Trouble with Tansy – An orphaned girl on the threshold of womanhood inherits a splendid, mysterious garden from three generations of wisewomen. When a roguish wizard attempts to impress her by disrupting the seasons, she must turn to the old powers for help.

Marked – The mother of a fey child learns the pitfalls of mingling with immortals when her boy is taken by a ferocious winged monster at the request of the god who fathered him.

Eating Crow – A masterful, wayward shapeshiftress angers a wizard who curses her by summoning a diabolical immortal hunter that puts her near death and forces her to seek the wizard’s cat, a gentle, mystical creature that alone can heal her wounds.

The Bridge – A visionary who spent her life preparing for a planetary alignment that will materialize a beautiful nature spirit only she can perceive, descends into her blackest fears when she is abandoned to a war for which she is indirectly responsible.

The Origin – A woodsman discovers that he is a god who created everything around him to know the love of a woman whose mortality drives him to the brink of annihilation.

Raven of the West – In the calm deep waters of the mind, the wolf waits. This novella is a tale of desire and deception told on a fairy-tale landscape of arcane texts, herbal lore, visions and disasters at the hands of the powerful.

 
© F.T. McKinstry 2017. All Rights Reserved.

The Spooky Forest

WWG Print Cover Art

When I was a child, my grandparents lived on a golf course. It was a beautiful place, mysterious and sprawling with woods, lakes and paths. A good place to go fishing, only mind the snakes and snapping turtles. Not far from my grandparents’ house, a path went through a dense patch of woods with a stream running through it. We called it the Spooky Forest. It was generally agreed upon that straying from the path was a bad idea.

Far be it for me to write something that doesn’t have woods in it–the creepier the better. So I’m honoring my childhood haunt with today’s release of the Second Edition Ebook of Wizards Woods and Gods, a collection of twelve dark fantasy tales exploring the mysteries of the Otherworld through tree and animal lore, magic, cosmos, love, war and mysticism.

These stories reflect some general themes, as follows. Click on the story links for descriptions, excerpts and illustrations.

The Power of Creation

Shade Falls

“These things three, your garden needs
“To make the dark and light the same.
“Slis, a frog,
“Gea, the spring and
“Retch, the oldest wizard’s name.”
– From “The Trouble with Tansy”

The forces of creation exist in all things, flora and fauna, seasons, worlds, every act of the heart, every loss and turn of a mind. Light comes from the Void and surprises its creators with something new and heretofore unknown. In “The Trouble with Tansy” and “The Fifth Verse,” two women, a mortal and an immortal, discover the power of creation through the inexorable forces of death.

The Immortal Hunter

Sioros

Had she not been so entranced, Oona might have noticed the shadow falling over her, soft and quiet as a forgotten dream. A wizard can be very sneaky when he wants to. And there he stood, in the fading light of the setting moon, staring down at the remains of his crow with an expression that could have cracked a standing stone. – From “Eating Crow”

Wizards call him sioros, an immortal predator with the body of a male god, towering black wings and the claws and fangs of a mountain cat. To lay eyes on him means either heartbreak or death depending on how the winds blow that day. In “Eating Crow” and “Marked,” one woman attempts to elude the hunter and pays with her heart; the other tries to bargain with him and pays with her life.

War and Transformation

The Glass

A sun’s cycle had passed since Solfaron set its predatory gaze on the Glass. With a warrior’s edgy calm, Liros had told Pael that he lived on the wrong side of the border, in the wrong land, with his forest, his visions, and his sacred observatory. But Pael cared little for his older brother’s admonitions. He loved the land of Moth with all his heart; he had touched the towering crystal observatory of the Glass and he knew what it could do. Solfaron could try to take it but they would fail. Only his love for Liros kept Pael concerned with it at all. War did not affect him, a mystic living in the wilds like an animal.

He questioned this now, as he ran for his life beneath the thunder of warhorses and the shouts of his brother’s men. – From “DeathSeer”

War destroys the fortresses of innocence with the awesome indifference of a natural force such as an earthquake or a hurricane. Whatever its causes or intentions, it changes things. Permanently. But while it can drive us to the depths of human depravity, sometimes, as with any traumatic event, it can also awaken us to our potential. In “The Bridge,” “DeathSeer” and “Earth Blood,” a priestess and two warriors find themselves caught in wars that strip the veils from their eyes to reveal their true natures.

Awakening Gods

The Temple of Math

Between the gnarled, twisted trunks of two oak trees loomed a black opening. Roots draped over and around the darkness inside as if to feed on it. Sethren walked slowly, his body aching and his heart pounding, until he stood at the threshold. Cool air breathed from the shadows. He could barely discern the images in the cracked stones for the moss and ivies clinging in the lines—except for one at the top: an interlocking five-pointed star with a black stone eye in the center.

Five points, five lines and a raven’s eye.

He had found the Temple of Math. – From “The War God Sleeps”

Some say that everything we know is the dream of a god. I am fascinated by the idea of a sleeping god, a being who comes from and must occasionally return to the quiescence of the womb, as all things do, for healing, renewal and rebirth. In “The War God Sleeps” and “The Origin,” one god is awakened by a mortal; the other, by his own creation.

Love

dormouse-in-ivy

Movement caught his attention. In the distance, Rosamond sat on the edge of the rushing water, on a wide rock, her long legs bared and her face tilted back to the sun like a contented cat.

Urien called out with enough force to shake the ground. “ROSAMOND!”

She stirred, beamed a glorious smile and waved.

Urien’s foreboding rose with the force of the river. He cupped his hands to his mouth. “Get away from the water!”

Her smile faded as she turned. From the north, an enormous bore from an unseen tide rose up into a wall of crashing, maleficent, white-green waves. Rosamond shrieked and jumped up. Urien raised his hands and cried a string of words that rent the course like a scythe, but he could not drop the river before it swept her into its foamy clutches without a sound. – From “Raven of the West”

Love, being every bit as powerful as, if not easily compared to, a creepy forest, naturally rears its head in most of these stories. But in “The Om Tree,” “Pattern Sense” and “Raven of the West,” an assassin, a knitter and a wizard are caught up in love’s brambles and encounter their powers there.

Little Tree, by F.T. McKinstry

© F.T. McKinstry 2017. All Rights Reserved.

Wizards, Woods and Gods

WWG Cover Art

The Otherworld takes shape in this collection of twelve stories told on a rich, fairytale tapestry of swords, sorcery, romance, dreams, visions and verse. Some of these stories inspired my novels; others were inspired by them; and some take place in the same worlds. Many of these stories have been published in fantasy/scifi magazines.

This collection, available in ebook and print, includes Raven of the West, a novella that takes place in the world featured in the Chronicles of Ealiron. The first edition ebook of Wizards, Woods and Gods was published by Wild Child Publishing, 2012; and Raven of the West was published as Water Dark by Wild Child Publishing, 2013.

Little Tree, by F.T. McKinstry

Click on the following stories for illustrations and excerpts.

Earth Blood – The earth keeps secrets. A warrior discovers ancient power in his veins when he’s plunged into the political corruption of a war devised to hide the truth of his mother’s death.

The Om Tree – Trees know things. A tree planted by a god at the dawn of a forest and raised in close proximity to an energy well beneath a wizards’ citadel knows a great many things. In this story, a wizard-assassin loses what is most dear to him and thereby learns the true nature of his art.

Pattern Sense – It all started with a mouse. A knitter discovers the strengths and pitfalls of an ancient power through the love of a warrior.

The War God Sleeps – When a lush, fertile land is seized by drought, a lonely hermit’s son ventures deep into the hills in search of water and there awakes a beautiful, yet terrible god whom the world has learned to live without.

The Fifth Verse – An ancient immortal entity defies the rules of her kind by falling in love with a mortal warrior, an indiscretion that leaves her grieving, pregnant and dependent on the help of a wizard whose army was responsible for the death of her beloved.

Deathseer – Under the influence of a mysterious observatory, the commander of a fearsome army is trapped in a conflict that eventually costs him his honor and the life of his brother, and drives him to accept an inborn magical ability that changes his destiny.

The Trouble with Tansy – An orphaned girl on the threshold of womanhood inherits a splendid, mysterious garden from three generations of wisewomen. When a roguish wizard attempts to impress her by disrupting the seasons, she must turn to the old powers for help.

Marked – The mother of a fey child learns the pitfalls of mingling with immortals when her boy is taken by a ferocious winged monster at the request of the god who fathered him.

Eating Crow – A masterful, wayward shapeshiftress angers a wizard who curses her by summoning a diabolical immortal hunter that puts her near death and forces her to seek the wizard’s cat, a gentle, mystical creature that alone can heal her wounds.

The Bridge – A visionary who spent her life preparing for a planetary alignment that will materialize a beautiful nature spirit only she can perceive, descends into her blackest fears when she is abandoned to a war for which she is indirectly responsible.

The Origin – A woodsman discovers that he is a god who created everything around him to know the love of a woman whose mortality drives him to the brink of annihilation.

Raven of the West – In the calm deep waters of the mind, the wolf waits. This novella is a tale of desire and deception told on a fairy-tale landscape of arcane texts, herbal lore, visions and disasters at the hands of the powerful.

Little Tree, by F.T. McKinstry

Second Edition
175 pages
Reviews
Story Illustrations
Add to Goodreads

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© F.T. McKinstry 2018. All Rights Reserved.

Winter, Writing and The Wolf Lords

Celtic Stag

Yuletide Greetings!

It’s the winter solstice, the shortest day of the year. In the north where I live, seeing “First Day of Winter” on a calendar elicits a blank stare, because it has usually been winter for a month or two already. The same thing happens on the vernal equinox around March 20th. It’s the first day of spring somewhere, but not here, although there is a different feel in the air.

Snowy Woods

I love this time of year. It gets dark late in the afternoon, and between the distant sun and the dreary weather it feels dark all the time. There’s a spirit haunting the woods, pale, hungry, staring inward with black eyes into the void, the point of conception. For me, writing is like this, a continual series of winter solstices, a dark place where there’s nothing, then suddenly a shift happens and the words flow out like the return of the sun.

BearAside from this, well, somewhat tormented view of things, I love the dark season because I get to curl up like a growly bear and get some work done while the snow blows and the temperatures plummet. Right now, I’m working on Book Two in The Fylking, called The Wolf Lords. That’s a working title, but it’s growing on me and I’ll probably go with it. At some point, on a sunny day when the light is brilliant on the snow, I’ll pull out my oil paints and get to work on the cover art.

The Wolf Lords. Oh yes, the realm of Dyrregin isn’t wartorn for no reason. There’s always someone or something plotting trouble there. Just when you thought, after the bittersweet ending of Outpost, to relax and enjoy yourselves, the shadow of mayhem is rising again, this time from the Fenrir Brotherhood, an ancient order of sorcerers with some nasty issues and a new ally of which the Fylking would not approve.

So if you haven’t read Outpost, get your copy today and prepare yourselves! The Old Gods are watching and waiting.

Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking.

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil.
Until now.

© F.T. McKinstry 2016. All Rights Reserved.

Software Engineering and the Chasm between Science and Magic

Today I have the honor of being a guest over at Fantasy Book Critic, one of the ten bloggers participating in Mark Lawrence’s 2016 Self Published Fantasy Blog Off. I’ll be talking about software engineering, genre definitions, the merits of having nerve, the subtle yet indisputable element of science fiction in Outpost, and the chasm between science and magic. It’s a geekfest. You can check it out there, or read it below.

Little Tree, by F.T. McKinstry

“Fantasy is the impossible made probable. Science Fiction is the improbable made possible.” – Rod Serling

Way back when I had a respectable job, I took some college courses in software engineering. One of them was on compilers, a software program that transforms programming language into machine language used by a computer processor. I sat in there amid a serious bunch of guys wielding thick glasses, pocket protectors and computer science degrees, and I felt like an impostor. For my final exam, I wrote the front end of a compiler in AWK (anyone who knows what that is gets an Award of Excellence in Geekery). I didn’t know what I was doing, but I had imagination and a lot of nerve. I also feared the worst. When the instructor handed me my graded final, I expected him to say, “Who are you and what are you doing in this class?” Instead, he said, “I’ve never seen anything quite like this.” He gave me an A.

Turns out, this is an obscure metaphor for my take on fantasy and science fiction.

I spent the better part of my childhood reading not only speculative fiction but also the esoteric things that inspire it. I was the kind of kid who would do a book report on Hermetic occultism or Einstein’s Theory of Relativity. I was more somewhere else than here, but oddly, this taught me about reality. I never bothered to define the difference between fantasy and science fiction; now, I couldn’t say how many novels there are mixing strong elements of both. It’s a challenge to mix them without throwing out the definitions. Genres tend to blur over time, and then split into sub-genres, because gods forbid we can’t conveniently define something.

exileFor the sake of argument, let’s call these genres distinct and go with classical definitions. To my mind, Science Fiction starts on a foundation of what’s known and provable, usually involving technological advances, the state of civilization, etc., and goes from there. Think Childhood’s End by Arthur C. Clarke or Becoming Human by Valerie J. Freireich. Fantasy deals more in the realms of myth, fairy tales and the unreal, usually involving magic or otherworldly forces—and that’s not to say it has to be soft or without rugged themes or realities. In this context, J.R.R. Tolkien’s Lord of The Rings is definitive; the Legend of Drizzt series by R.A. Salvatore, Blood Song by Anthony Ryan and Ursula K. LeGuin’s Earthsea Cycle are exemplary.

In fantasy, within reason, you can do anything if you can imagine it. This is probably why I’ve always leaned towards this genre, particularly the epic or high sub-genres where nearly everything is made up aside from basic references that serve to ground us in the story; for example, a medieval setting. I’ve written some science fiction, but it’s not my first love and despite a long and varied high tech career, I avoid writing it for the same reason I hid beneath an invisibility cloak in compiler class: Impostor! It’s a world full of geeks and somebody will call me out.

And yet, by way of my aforementioned nerve, I went there.

After writing Outpost, which is decidedly fantasy—if not epic or high fantasy if we want to get persnickety—I wrote this little tag line: “Epic fantasy entwined with Norse mythology and a touch of science fiction.” I must have taken out and put back in “a touch of science fiction” a dozen times. Finally, I removed it, but it left a stain. No science fiction here! I grumped, and then I thought about it—an interdimensional portal with specific dimensions and geometry built by extraterrestrial warlords to travel to and from other planets without having to wait for rare planetary alignments, humans trained in the principles of light, crystals, and energy so they can maintain the power source—Yeah yeah, ok. A touch of science fiction.

Odin Rides to Hel

“Odin Rides to Hel” (1908) by W. G. Collingwood

But it’s subtle. Said warlords are immortal, like elves, they are essentially Vikings—albeit highly evolved ones—and walk alongside warlocks, goblins, draugr and gods. Reprieved! The idea here touches on Arthur C. Clarke’s venerable quote: “Any sufficiently advanced technology is indistinguishable from magic.” In other words, what’s real? There is a seeming chasm in our society between science and magic; what’s acceptable as real and what’s not; and this is evident in these genre definitions. There’s a feel to it. However, as the advance of quantum theory is showing us, this chasm is itself an illusion.

Ergo, I can write the front end of a compiler in any language I want. Hold my beer.

Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking. In a war-torn realm occupied by a race of immortal warlords called the Fylking, trouble can reach cosmic proportions. Using the realm as a backwater outpost from which to fight an ancient war, the Fylking guard an interdimensional portal called the Gate. The Fylking’s enemies, who think nothing of annihilating a world to gain even a small advantage, are bent on destroying it.

After two centuries of peace, the realm is at war. A Gate warden with a tormented past discovers a warlock gathering an army that cannot die. A King’s ranger is snared in a trap that pits him against the Fylking’s enemies. And a knitter discovers an inborn power revered by the gods themselves. Caught in a maelstrom of murder, treachery, sorcery and war, they must rally to protect the Gate against a plot that will violate the balance of cosmos, destroy the Fylking and leave the world in ruins.

The god they serve is as fickle as a crow.

“McKinstry’s book proves to be one of the best independently published fantasy novels of the past year. Tense, gritty, exciting, and romantic, Outpost is a tale avid fantasy readers won’t want to miss.” – Self-Publishing Review

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© F.T. McKinstry 2016. All Rights Reserved.