Old Mother Void

I found a little snakeskin in my woodpile yesterday. Well, what was left of it, anyway. A woodpile is a rough place—which, of course, is why the snake went there to perform its sacred ritual. Like a wild-eyed crone in a fairy tale, I gingerly gathered up the papery skin and put it in a safe place. You know, in case I need it some day.

The timing of this discovery is worth noting. In traditional animal lore, the snake is revered as a creature of transformation and rebirth, symbolized by the periodic shedding of its skin. A passage through the Dark Night, the Void, this process is part of all life, from the tiniest seed to the universe itself. In the wheel of the seasons it is honored as All Hallows Eve, when the veils to the Otherworld are thin and the living mingle with the dead. This is a time to acknowledge Old Mother Void and to make friends with creatures that tread the ‘tween paths without fear.

River Prowling, by F.T. McKinstry

The Old Mother has a tendency to cast a chill on the hearts of mortals. Hers is the prickle on one’s spine when wind whispers in the chimney; the cold, crushing tide of grief; the chasm a writer stares into while waiting for the words; or the visceral knowledge that it’s time to release something that no longer serves. And yet, while implacable, the Old Mother does have one’s best interests at heart. After all, the snake doesn’t fear as it slithers into a dark woodpile to shed its skin.

So I’ll keep my creepy little snakeskin, thank you, to remind me of that. Heh.

Ribbon Snake, by F.T. McKinstry

 
© F.T. McKinstry 2013. All Rights Reserved.

The Maiden

By sun and stone, by fog and sky,
By night the winds come singing;
By dawn the robin’s joyful cry
Shall join the bluebells ringing.
Fair, the Maiden’s feet upon the dew.

From out the fields of amber green,
Beneath the low sky raining,
A wily stag her heart to tame,
Her wildness changed to yearning.
Breathlessly, the violets face the sun.

Columbine, to draw her near,
Goldenrod, to find her;
Myrtle blossoms she holds dear,
Hawthorn blooms will bind her.
Velvet red, the petals of the rose.

When the sun’s crown rules the skies,
Grapes ripening on the vine;
The stag shall look with longing eyes
Towards the harvest time.
Fear not, the twilight’s strange disquietude.

The raven does not mourn the night,
Nor wolves the kill’s last breath;
The owl, she revels in her flight,
The stag, his ancient death.
Tears of blood fall sweet upon the stone.

Little Tree, by F.T. McKinstry

© F.T. McKinstry 2013. All Rights Reserved.

Eaglin of Ostarin

Eaglin of Ostarin

In the world of Ealiron, gods walk among mortals, though they are rarely seen and do not tend to concern themselves with mortal affairs beyond knowing themselves through their creations. One exception is Eaglin, the mortal son of Ealiron himself, a god who made love to Eaglin’s mother as a dream. Trained from birth by both gods and wizards in the arts of magic, war, and the old powers, Eaglin belongs to the Order of Raven, the highest order of wizards in the land. He also serves as a high priest to the Old One, the divine feminine force of cycles, birth and death.

Although Eaglin lives among mortals and knows the seasoned wisdom of animals, forests, stars and lovers, he is a solitary creature whose heart belongs to no one. By his stature, he bears the temperament of the sea: vast, powerful and unpredictable.

Eaglin is a master of shapeshifting. In the following excerpt from The Winged Hunter, he has been asked to track down a witch named Aradia, who has been hiding in animal forms for years to elude an immortal predator bent on destroying her. Finding her is one thing; returning her to human shape, another.

Little Tree, by F.T. McKinstry

Excerpt

Eaglin lowered his head and stepped back, pulling his airy cloak around his body like a wing. He knelt and spoke a word in Aenspeak to invoke the spirit of a mountain cat. A swift, agile hunter, the cat knew the paths to the Otherworld. His mind flowed into the boundaries of the hall, held in Caelfar’s spell. A wild rush of impressions spread before him, a torrent of sadness, color and song, each person, creature, tree and plant alive and suspended in a sea of light. He studied the glimmering patterns until his mind stilled on an anomaly, a pattern of one thing beneath another in an unnatural combination of energies.

He changed. His consciousness erupted into a fluid expanse of sight, scent and sound. In a single bound, he leapt to the top of the courtyard wall, padded on supple paws over the top to the far eastern side and dropped without a sound. Then he trotted towards the skittered pattern of Aradia’s altered form. A short time later, he slipped into an empty corridor outside of the antechamber of the Waeltower, his thick haunches flowing.

A rat scuttled along the edge of the passage. When it saw him, it stopped with a squeak–and disappeared.

Eaglin did not focus on Aradia’s form but on the pattern of something shapeshifted. He did not need words and he did not need to follow her through a succession of changes; he only needed to catch her once. He entered a circular courtyard open to the sky and ringed with elm trees. With a graceful thrust of feline power, he leapt into the air with a twist and caught a bluebird in his claws. It screeched and vanished. Eaglin landed on his feet as a man, cloaked and hooded. In cupped, closed hands, he held a hornet. He clenched his jaw as it stung him.

Moridrun fore sarumn,” he said in Aenspeak, as if to wish the morning well, and then he threw open his hands and stepped back. Aradia tumbled to the floor.

Little Tree, by F.T. McKinstry

Eaglin appears in The Hunter’s Rede, in which he encounters a roguish assassin (Lorth of Ostarin) and a cruel warlord who drives his homeland into war.

In The Winged Hunter, Eaglin faces his shadow in the form of a diabolical immortal being that he is called upon to banish.

In The Riven God, Eaglin joins an exiled princess, a war god and the wizards of Ealiron in a war against a devious entity threatening to plunge the world into desolation.

In Raven of the West, he is caught in a love triangle that causes him to question his destiny as the child of a god.
 
© F.T. McKinstry 2015. All Rights Reserved.

Hemlock and Editing

Hemlock, by F.T. McKinstry

Hemlock

I recently came upon a series of amazing photos of animals camouflaged in their natural environments. They are very good at this. True to form, my cat Hemlock can vanish like a ghost when she’s of a mind.

So I just finished editing my latest novel. By “finished” I mean for the time being, because well, my publisher was waiting and I can only tinker with it for so long. Stephen King says it nicely: “To write is human, to edit is divine.” Yes, and I’m burnt. But while basking in the warm glow of having handed the beastie over to my editor, I had an interesting thought.

Mistakes hide in manuscripts in much the same way creatures camouflage themselves in the wilds. A missing or a wrong word is not as beautiful as Hemlock, of course. But I have to acknowledge how clever words are at hiding in seemingly harmless passages. It’s a testament to the power of the imagination that one can look at that egregious grammatical blunder sixty five times and not see it. Then suddenly, like magic, there it is sitting in the garden under the bushes.

They shapeshift too, you know. But that’s another story.

 
© F.T. McKinstry 2013. All Rights Reserved.

The Perils of Shapeshifting

Kalein, by F.T. McKinstry

Kalein

Red Fox, by F.T. McKinstryOnce upon a time there lived a wizard named Kalein who mastered the art of shapeshifting. With the grace of an immortal, she could become any creature, plant, tree or element in the forest. By this she reveled in the beauty and complexity of life.

The wise warn that spending too much time in other forms weakens the fibers of one’s humanity. The lore of wizards is rich with such tales; in time, these become folk legends of animals or trees that were once human and forgot themselves. But it is also said that the love of another will keep a shapeshifter on the ground in human feet.

 
 
Crowharrow, by F.T. McKinstryA powerful mage named Caelfar loved Kalein with all this heart. She gave her love to him, but the pull of the wilds was stronger. One day, while picking flowers in a high meadow, she spied a crowharrow, a rare immortal hunter with the flawless body of a male god and the wings of a crow. He gave her no more mind than a cat passing through a garden, and vanished into the Otherworld, taking Kalein’s heart with him.

 
 
Water, by F.T. McKinstryFrom that moment, Kalein forgot the warnings of the wise. She became the wilds, her human nature a mere reed in the rushing river of her life, a dream out of focus. She never saw the beautiful immortal again, as such beings elude the dimensions of mortal perception. One day, Kalein shifted into a sleek, silvery fish with an air of the strange that caught the crowharrow’s eye. He reached through the veil, caught her in his claws, sank his fangs into her tender flesh and ended her longing.

Caelfar, shattered and cursed by having used his powers to win Kalein back from the crowharrow’s thrall, erected a statue of his lover in the center of his magnificent garden, to remember her always. Standing in a pool, she has swirling fins in place of feet.

Little Tree, by F.T. McKinstry

The Winged Hunter, Cover ArtThe Winged Hunter, Book Three in the Chronicles of Ealiron.

Tansel is a gardener with a healer’s hand. Fey, they call her.
Her aunt, a dabbler in hedge witchery, calls her cursed.
To the most powerful wizards in the land, she is an enigma.

 
 
© F.T. McKinstry 2014. All Rights Reserved.

Immortal Longing

She had asked the stars, whales, rocks, the sun and moon.

She had asked terns, seals, herrings, crabs, and the white horses that roamed the cliffs on the western coast of Waleis.

She had asked the trees and the north wind.

She had asked the dead, their pale eyes staring.

She had even asked the beryl spire focusing the energies of the earth into a mighty web.

But nothing in Ealiron’s creation knew where the mortal shell of her child had gone.

Until one came, bearing news.

As she released the snow-white gull to the north, her immortal lover twinkled with the silence of deep winter on the hard, gray land.

 
Little Tree, by F.T. McKinstry

Legends of sailors and wizards collide when an Otherworld being discovers its destiny in a mortal’s imagination. The Gray Isles, Book Two in the Chronicles of Ealiron.

 
© F.T. McKinstry 2013. All Rights Reserved.

The Trouble with Tansy

Tansel's Garden

Gardens keep secrets…especially old gardens. Orphaned and wary of magic, a young woman knows little of her ancestral garden’s mysteries until she discovers her own power in the darkness of winter, the words of a witch, and the loss of her innocence.

Excerpt

In a huge willow tree, perched the shadowy form of a cat, oddly cloaked and sitting with one leg hanging down. It shifted like rolling water into a mink, a salamander, a frog.

Tansel lowered herself into a clumsy curtsy. “Aunt,” she said carefully, “I need your help.”

“What will you pay for it?”

Tansel hung her head. “I have nothing.” It was true. Nothing but tansy.

“You are still innocent. You must give me that.”

Tansel blinked. What did that mean? She recalled what the crone had told her years ago, about knowing the darkness. But it did not matter now. She nodded quickly.

The watery thing in the willow tree swirled down around the trunk like a snake and coiled on the ground, where it became a hovering shadow. In a voice like wind over a grave, it chanted:

“These things three, your garden needs
“To make the dark and light the same.
“Slis, a frog,
“Gea, the spring and
“Retch, the oldest wizard’s name.”

Little Tree, by F.T. McKinstry

“The Trouble with Tansy” originally appeared in Tales of the Talisman, V5-1.

This story is included in Wizards, Woods and Gods, a collection of twelve dark fantasy tales exploring the mysteries of the Otherworld through tree and animal lore, magic, cosmos, love, war and mysticism.

“The Trouble with Tansy” was also the original inspiration for The Winged Hunter, Book Three in the Chronicles of Ealiron.

© F.T. McKinstry 2017. All Rights Reserved.

Eating Crow

Sioros

It is never a good idea to anger a wizard. One witch causes enough strife to provoke a powerful mage to summon an immortal hunter after her. But when she plumbs the utter reaches of her skills as a shapeshifter to elude the hunter, she discovers the value of her own humanity.

Excerpt

Shapeshifting was Oona’s life, a fluid existence she preferred to humanity. As a human, she would have avoided anything to do with the Master of Straif. A wizard of the deep flowing waters, the hollows of the earth and the implacable forces of blood and transformation, he had one black boot in the shadows.

And he loved his crow.

Oona, on the other hand, found the raucous creature too tempting. Tawny, lithe and driven by the lust of spring, she slipped around the eastern wall of the castle and climbed the spiky old hawthorn tree that grew there.

Most humans knew better than to cross a wizard. A cat did not care.

She landed with a soft thump in a bed of periwinkle. The crow called to the dawn. Nice of him to give her something to head for, though she would have smelled him easily enough without the noise. She crept on her belly through the shadows of lupine spires, tulips and daffodils until she spotted the bird on his perch above the crabapple tree. Fluid as sound, she changed.

She landed with a graceful flutter in the tree, a beautiful female crow with glistening black wings and a song for the male on his perch. He knew enough to be wary of her instant appearance in his domain, but curiosity distracted him. In that instant of miscalculation, Oona drew close and returned to her wildcat shape to finish her wicked deed. It ended quickly.

Little Tree, by F.T. McKinstry

“Eating Crow” is included in Wizards, Woods and Gods, a collection of twelve dark fantasy tales exploring the mysteries of the Otherworld through tree and animal lore, magic, cosmos, love, war and mysticism.

This story inspired one of the scenes in The Winged Hunter, Book Three in the Chronicles of Ealiron.

© F.T. McKinstry 2017. All Rights Reserved.

Yoga Crasher

Oona, by F.T. McKinstry
Her real name is Oona, named after a scrappy character in one of my stories, a shapeshifter who gets herself into trouble for crossing a wizard. It fits, trust me.

Oona looks a bit like the white cat in the Henri, le Chat Noir videos. Henri calls his companion an idiot. But Oona is no idiot.

She is a master.

Many say cats are psychic and I’ll attest to this. Oona has powers of teleportation, too. When I spread my yoga mat on the floor and put on some airy music, she appears from nowhere to participate in the ancient and venerable art of yoga. She begins her personal practice by waiting patiently for me to get into an asana, a Sanskrit word for “posture.” Preferably something that requires balance. Then she chooses from a creative repertoire of tricks designed to test my focus, including but not limited to the following:

1. Rub against me, making sure to curl tail into a ticklish place.
2. Put wet nose on me.
3. Drag raspy tongue on me.
4. Wait for empty spot on mat and spread out in it before I can.
5. Drag tail across my face.
6. Chew on hair clip.
7. Sit next to me so I have to move or pet her, depending on how cute she looks.
8. Yowl rather loudly.
9. Pick a fight with one of the other cats in the room.
10. Get up some place high and knock something off (plants work well).
11. Chase something (sparkle balls, moths, dust, shadows, etc.).
12. Scratch on furniture.

Sometimes, Yoga Crasher will take a pragmatic approach (or heed the death threats, however you want to look at it) and jump in my chair for a nice nap. She has ulterior motives for this, of course. As long as I’m on the mat, she gets the chair.

© F.T. McKinstry 2013. All Rights Reserved.

Nature as Muse: Root and Stone

Natural landscapes are an integral part of any good tale, a multidimensional backdrop that gives life to the imagination. Like music, natural settings fall in patterns, creating moods, thoughts, and impressions by virtue of what they are.

Inspired by mountains, forests and all things that grow, the world of Ealiron is richly illustrated with root and leaf, both literally and through ancient traditions of magic honoring the correspondences between plants, trees, animals, color, and sound. Here we will journey through old forests, wise trees, enchanted gardens, fragile flowers, and mountains.

Forests

It was the forest’s fault. Those two handsome woodcutters. An evil place, the forest, everyone knew it, full of temptations and imps… ~ Tanith Lee

Hobbit Woods, by F.T. McKinstryForests get a bad rap in fairy tales. When they are portrayed at their most beautiful, that is when we’d best beware. While a deep, dark wood is an excellent metaphor for the shadowy realms of the mind, there is no denying that forests have a soul. The presence of trees creates a feeling of awe and stimulates the imagination.

The following excerpt describes an ancient forest called Eusiron’s Haunt, so called because a god of that name is consciously aware as the soul of the wood. Some say he protects the palace above. Others say it amuses him. To a wizard named Lorth, the Haunt is particularly uncanny.

In this forest, he could have seen a ghost, a wolf or a dragon. He could have seen something as fearsome as a sioros, an immortal man-shaped predator with tall black wings, fangs and no tolerance whatsoever for anything intruding on its territory. He had heard stories of things like that. Efar had told him that whatever one saw here depended on who that person was and with what purpose. Had his intentions been different—hostile, for example—the forest might have changed not only in appearance, but also in what lived here. It would not change in a linear sense, as if monsters or armies suddenly flooded from the trees. Time-space itself would change. From one moment to the next, a forest slightly unnerving would become, from the beginning of time, a forest patrolled by sioros, dragons and Maern knew what else. The ancient oak tree that moved from one side of the path to the other would become a monster with its own history, intentions and no one to stop it, as most likely no palace would tower above the tops of the trees, with an army inside to come to the rescue. ~ The Hunter’s Rede

Trees

“Listen to the trees talking in their sleep,” she whispered, as he lifted her to the ground. “What nice dreams they must have!” ~ L.M. Montgomery, Anne of Green Gables

The Om Tree, by F.T. McKinstryThere are forests, and then there are trees. After all, you can miss one for the other. Every kind of tree has its own personality: the texture of its bark, how it roots, the shape of its leaves, or the sound wind makes when it blows through the boughs. The spirits of trees are traditionally associated with qualities such as elemental forces, seasons, colors and life cycles. In Ealiron, different trees correspond with the twelve orders of the Keepers of the Eye, wizards and craftspeople who maintain balance in the world’s energies.

There exists a very rare tree in Ealiron called an Om tree. Its seeds are planted by gods, and it lives for many centuries. An Om tree grows in the palace of Eusiron, and is greatly loved by the Mistress of the realm.

The Mistress approached the tree and placed her hands upon it. “Hai love,” she said softly. A bough rustled, lowered down and brushed against the small of her back like a caress. Lorth had once heard about this, though he had disregarded it as a tale warriors tell over fire and drink in the wee hours. They called it the Om tree. Seeded by the stars, the tree rooted deeply into the iomor beneath the palace. It was said the tree knew things, could tell truth from lies, and saw through its bark and limbs to the very heart of the Old One herself. ~ The Hunter’s Rede

Gardens

Gardens are not made by singing “Oh, how beautiful!” and sitting in the shade. ~ Rudyard Kipling, Complete Verse

The Cosmic Garden, by F.T. McKinstryA garden is a lively place. Plants reach into the soil and up to the sun with chaotic abandon, and yet there is balance; things emerge only in their time, and when the shadows of summer grow long, the garden bows out gracefully. I find joy in participating in this. For my part, I arrange things in nice patterns and keep order while at the same time nurturing the chaos.

Tansel of Loralin is born of three generations of wisewomen. Gardening is in her blood…but she has yet to learn the most profound secret her garden is keeping.

Tansel loved her garden with all her heart. It surrounded the cottage and spread out beneath the edges of the forest like a wild thing, singing. She grew things for eating, seasoning and healing; things that smelled pretty, attracted butterflies, birds, bees, and cats; she grew things for the shapes of their leaves, the way the sun and moon shone upon a petal or a stalk, or the way one thing grew beside another, tangling high and low in arches, tendrils and delicate patterns. Some plants loved the high, bright sun; others preferred the shadows beneath evergreen trees, or water caressing their roots. Tansel grew things she simply liked the names of. Things no one knew the names of.

Few could have said exactly what grew in Tansel’s garden. Not even she knew, from season to season. The garden had a rhythm of its own, a balance that took care of itself. ~ The Winged Hunter

Flowers

With freedom, books, flowers, and the moon, who could not be happy? ~ Oscar Wilde

Echinacea, by F.T. McKinstryFlowers are spectacular creations. Brilliant, intense, fragile, and fleeting, flowers capture the essence of sensitive and yet enduring things. When a flower blooms, we know something important is happening.

In this excerpt, an immortal being is having a crisis for which simple things in nature, including flowers, offer some perspective.

The swamp kept singing, falling in harmony to her tears. Life abounded here; it could not grow fast enough. Snakes curled in the trees, muskrats ambled through the cattails to loam hollows, colorful birds fluttered about and bugs crept over rotting logs. A red hind drank from a pool. Rain tapped softly on emerald leaves and touched the flowers, causing them to bob around as if laughing. ~ “The Fifth Verse,” Wizards, Woods and Gods

Mountains

The mountains were his masters. They rimmed in life. They were the cup of reality, beyond growth, beyond struggle and death. They were his absolute unity in the midst of eternal change. ~ Thomas Wolfe, Look Homeward, Angel

Mountains, by F.T. McKinstryAn interesting thing about mountains is how they vary in character from one range to the next. There are old mountains, worn down by time and dark in their knowing; young, spectacular mountains crowned by unmelting snow; lush green jungle mountains; and rugged, arid ones. The creatures that live in the mountains know them.

For those living in the valleys, the surrounding mountains exude mystery, as in this excerpt:

The hermit spoke of a temple in the north, at the base of Math’s Eye, the mountain range that protected the realm. He said the War God slept there, beneath five points, five lines and a raven’s eye. So said the old tales. So said the mad. No one else spoke of such things. ~ “The War God Sleeps,” Wizards, Woods and Gods

Little Tree, by F.T. McKinstry

Nature as Muse: Warm and Furry
Nature as Muse: Creepy and Crawly
Nature as Muse: Water and Sky

© F.T. McKinstry 2013. All Rights Reserved.