Monsters, Art and the Voice of God

“In order to be created, a work of art must first make use of the dark forces of the soul.” – Albert Camus

I like dark things. When it comes to art, whether it’s literary, visual, musical or cinematic, I like it complex, subtle, not easily categorized and reeking of the shadow realms. It needs to affect me, to change me somehow. The most interesting thing about art is that the mystery exists in every form and genre, to whatever extent, like a ghostly silver thread that will lead you across the veil, should you be so inclined.

Dark Shadows (1966-1971). Vintage gothic horror at its finest…

This is not to say everything has to be high-end sophisticated. Far from it. I’ll trawl over that flashy, highly acclaimed drama film for a monster splatter flick every time, like a cat ignoring an expensive toy to play with a crumpled-up candy wrapper. I know monsters. They are the ultimate metaphor for the dank recesses of the psyche, where I like to play.

Consciousness loves contrast, as my beloved old psychologist used to say. If you face down the deepest, darkest abyss of your soul, you’ll break through to the other side. To the light. And vice versa: fly into the sun and you’ll plunge, flaming, into the chthonic depths. And again, and again. After years on this circus ride, I thought I was crazy. Surely, there were psychiatric terms for this, arbitrary labels to categorize the forces of existence, none of them nice. Here, take this pill to filter down that high amplitude, high frequency sine wave so you can be normal.

Yeah, fuck that. I don’t wanna be normal. But this was existential and so intense that I eventually fled to my aforementioned psychologist nonetheless, and it was she who posited the idea that these energies are inherently creative. Once I put that together, I became a maelstrom. I wrote books, painted, gardened, made music—all the things I’d always loved but never connected to the turbulence.

So the other night, I sat down to watch something. On a whim, I clicked on this movie I’d seen float by a zillion times: A Monster Calls. Cute little boy, coming of age, dying mother, invisible friend, etc. Typically, unless it’s a fairy tale or particularly well-done epic fantasy, my favorite stories about kids involve camping trips in remote places where a werewolf or an alien picks them off one by one. Not that I’m a curmudgeonly wicked witch or anything—well ok, I am but whatever—this is more about the power of metaphor. To make art, an innocent part of us must die.

Enter the implacable forces of the unconscious. I watched this movie as if my life depended on it. It went into my cleverly organized perception of who I am and demolished it like a wrecking ball. It hit every little thing. Rotten Tomatoes called this movie “trite and overly melodramatic.” There might have been a day when I thought that (doubtful). But not this day. When it was over, I fell apart like an old cicada shell, sobbing my guts out as I realized I had a choice to make around something I’d been hiding from for years.

A monster, if you will.

Ergo, art is necessary to existence—and ultimately subjective. Where one person sees dreck, another hears the voice of god.

© F.T. McKinstry 2021. All Rights Reserved.

The Fylking Omnibus On Sale!

They thought the wars were over. But time is nothing to an immortal, let alone a warlock with an axe to grind. High fantasy woven with Norse mythology, swords and sorcery. The Fylking Omnibus, which includes Outpost and The Wolf Lords, is now on sale for $2.99 (normally $5.99). Get both books in the series for the price of one. Sale lasts through January 27, 2020.

In the worlds of their dominion they are called the Fylking, lovers of strife, song and steel, an immortal race of warriors akin to the Otherworld. Their empires span the heavens; their deities, ruled by the elusive Raven God, embody the forces of war, wisdom, passion and nature. This series tells the exploits of the Fylking and their mortal observers — warriors, royals, seers, lovers, warlocks and mercenaries — generations upon generations coexisting in uneasy peace with the Gods of War.

Includes a full table of contents, glossaries and a map. Available at these e-retailers:

Amazon
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Outpost Cover ArtOutpost, Book One

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil…
Until now.

The Wolf Lords Cover Art The Wolf Lords, Book Two

A immortal warlock bent on reprisal.
An ancient order of sorcerers hungry for power.
Warriors beset by armies of demons.
And a lonely hedge witch whose dark secrets could change everything.
…If only they could find her.

Little Tree, by F.T. McKinstry

“A truly masterful achievement.”

“This novel is simply WOW.”

“The tone and vibe are spectacular.”

“A complex world of Norse inspiration.”

“Intense and deeply moving.”

“Great writing. Incredible worldbuilding.”

© F.T. McKinstry 2020. All Rights Reserved.

In Praise of Yule and the Winter Warlock

Winter Light

Winter Light


Merry Yule!

I confess, Christmas didn’t mean much to me as a kid. Family issues, religion and commercialism left me disillusioned. Ironically, my sensitive tendencies made me an accomplished shapeshifter when the need arose, allowing me to wear a happy kid face on the surface of a shadowy river of sadness. It wasn’t all bad, of course. I liked the music and the lights. But something was missing.

This was before the internet and the mainstream resurgence of things like Wicca, the old gods, and honoring one’s ancestry. I don’t think anyone ever explained the winter solstice to me, let alone its meaning in a spiritual context. I grew up in Houston, it was hot, and every day looked a lot like the next. A spark flickered in my heart when I touched the pagan roots of this season, even if it was only a Christmas classic about places that had snow, reindeer and spruce trees. I loved those stop motion animation specials like Santa Claus is Comin’ to Town, with the snowy mountains, elves, little friendly helpful animals, the Winter Warlock, the monster trees, the Burgermeister Meisterburger and the 1960s swirly stoner graphics. I wanted all the stories about love and light to be true, even as I buckled under the stress that came with the very thing.

So I left home first chance I got and came north. Over the years I continued my emotional salvage operation, even after I had abandoned religion, turned to the natural world and amassed a library of books about things that kept the spark alive and helped me grow into my nature like a rooting tree. But I soon discovered that many “pagan” systems, while engaging, were missing something too.

Dark Mountains

Everyone wants to be a witch until it’s time to do witch shit. I’m not talking about setting up altars, growing herbs, gathering magical tools and praying to the old gods. That’s all cool, it creates a space, an atmosphere, a place to focus one’s intentions, much like going to church is to others. It has a purpose. But I still felt empty. I wanted connection. I wanted to be the thing and lo! oh dear if that desire didn’t put me right into the shadowy river of sadness. It was still there, sapping my light, even as I gazed into a candle on Yule to honor the return of the sun.

Then I learned something. It began with the idea that everything is connected, a popular idea now. But it’s easy to blur an idea like that into something nebulous, even impracticable, because it has such far-reaching implications. I came into December this year on a leaky raft of depression and doom that no holiday cheer could lighten; wave after wave of it, as if something had tuned my radio dial into all the sorrows of the world and the seeming hopelessness of another long winter. I cried a lot. I wanted to die. The darkness was crushing me. Until, at some point, remembering myself, I stopped and said, Where is this coming from?

Then I realized I was riding a wave that had its roots in my blood, in the bark of spruce trees, snowflakes, bears, wolves and love too, binding it all together even as it drew me into the void along with every sad and toxic pattern in my heart, my body, the projects I’m too afraid to start, some heartbreak or another, a belief in worthlessness, the white hair in the shower drain. All flowing down into the darkness of the longest night, one of the countless, elegant ways nature releases the old to the new. The rebirth of the sun. It’s one thing to celebrate that as the beautiful thing it is; it’s another when the shift is happening in the self, inexorably, in sync, as if beckoned. Everything is connected.

Witch shit happens.

Wishing you and yours all the love and light of the season in whatever way you keep it. Blessed Be!

 
 
© F.T. McKinstry 2019. All Rights Reserved.

Introverts, Geeks and Podcasts

Lone Wolf, by F.T. McKinstry

When I was a kid, the term “introvert” had a negative stigma, like some kind of amorphous, withering social ineptitude or something. Having quite enough insecurities, I limped along thinking that what I now know are classic introvert tendencies as bad, broken, neurotic traits easily written off to being dramatically tormented.

Nowadays, light shines upon introversion as perfectly natural. People are coming forward from the shadows and owning up to it. Dedicated Facebook pages and shit. I like to think of introverts as people who process things differently. There. Vague and yet intriguing. Even so, I still avoided the title, until I mentioned this to my therapist who, bless her soul, leaned forward in her chair and laughed like a harpy. Point taken.

Harpies in the infernal wood, Gustave Doré


So after some research, the most clinically valid “Are you an introvert?” tests I could find, and some soul searching in the dusty crypts of my youth, I joined in the harpy laughter. I’m off the charts, and while I’m still not into wearing the introvert thing around, I have learned to be aware and not bite the hand that feeds me.

Enter my quest to become a 21st century author and bring myself and my work out into the light to be seen. Toward this end, I set out to do things like interviews, ask-the-author sessions, podcasts and the like. (Anyone who gets the introvert thing should be suitably chilled by this.) My first podcast was with Jamie Davis on Fantasy Focus. Jamie is a great guy, he put me at ease and assured me that editing cures all ills. So I jumped in, geek cape flying.

Until Jamie asked me an excellent question. “So tell me about the Otherworld,” he says, with a fascinated smile in his voice. I froze and spiraled to the ground like a hero with a tragic flaw.

The Fool, Rider-Waite Tarot

There is nothing as breathtaking and terrifying as the fall of innocence. This doesn’t just happen once, you know; we’re all innocent of something. In the Tarot, this pattern is depicted as “The Fool.” Here he is, setting off on a new dream, a fresh start, he’s baked by the excitement and hope of it all but oh dear! he’s headed for that cliff edge. And there’s his little dog, the voice of his better sense, nipping at his heels saying, “Hey. Um, for what it’s worth, I think this is a lousy idea…” but who listens to that noise?

The Otherworld. I’ve built fantasy empires around it. I’m half immersed in the real thing. For my own books, particularly The Fylking, I did what many high fantasy authors do and made it vast, complex and dear to my heart — but when Jamie asked me to elaborate, all I could manage was a desolate “Uhh…” It was like standing by a deep, raging river and trying to reach out to catch a cupful. Finally, Jamie rescued me and mentioned the Fae. Oh yes, I said — the river is roaring — but, I’m thinking, but this, and that, and then there’s this other thing — I dropped the cup and watched it vanish — oh gods there’s not enough editing in the world that can save this.

Of course afterward, I spent days spinning up the most spectacular dissertations of the Otherworld you can imagine. But it was too late. The Fool was still falling, deaf to his little dog far above, barking wildly. Or so I thought. It was just fine, of course. As promised.

Now wiser, I did another podcast with the folks at The High Fantasy Podcast. I fretted over things, of course, but none of it stuck. We had an epic geekfest that warmed my soul.

Finally, I was interviewed by the wonderful E.G. Stone, in which we talked about Outpost, Book One in The Fylking. It was great fun.

In closing, here’s my thumbnail definition of the Otherworld from Outpost: Terms and Places.

Otherworld: The vast realm of the unseen existing beyond time and space; the source and reflection of physical events. Inhabited by an infinite variety of beings referred to as Others, including nature spirits, elves, goblins, phooka, planetary entities and other natural forces. This includes the Fylking, who occupy the unseen dimensions and are often, though not always, respected as gods. The Otherworld can be perceived by mortals with second sight, though interaction can be dangerous and is ill advised without training and protection. See also Fylking. See posts The Phooka, Goblins and Creepy Horses.

Others

Blessed Samhain, by the way. Heed not the laughter of harpies.

© F.T. McKinstry 2019. All Rights Reserved.

The Wolf Lords on Readers’ Favorite

A immortal warlock bent on reprisal.
An ancient order of sorcerers hungry for power.
Warriors beset by armies of demons.
And a lonely hedge witch whose dark secrets could change everything.
…If only they could find her.

The word is in from Readers’ Favorite for The Wolf Lords, Book Two in the The Fylking! I am grateful and humbled to have received five five-star reviews. Didn’t see that coming. Here’s some bling, with a link at the bottom where you can read the reviews in full.

Little Tree, by F.T. McKinstry

“This second novel in The Fylking series exceeded all of my expectations for a fantasy novel. An alluring plot weaves intrigue that tempts you into the world of invisible warriors, magical spells and demons. The characters are so vivid and enchanting, they practically leap from the page. I especially loved the tortured, heartbroken character of Othin, who tries to overcome losing his true love. The author’s writing style is beautifully descriptive with so much detail that it draws you completely into the world of the characters. Her ability to build tension and develop character relationships is extraordinary. I could not help compare the storyline to Nordic folklore. This is a gem of a novel.” – Lesley Jones

“The Wolf Lords is definitely a novel for adults. Its dark themes and strains of graphic violence give it an edge. I was easily invested in the story right from the beginning. The vivid imagery and the realistic descriptions just lured me right in and had me reading on until the very end. The story itself is very complex and has layers upon layers of plot that I loved to uncover. The character development was simply amazing. The Fenrir Brotherhood was an enigma that I was very interested in and I also loved the mystery behind the witch who just didn’t want to be found. I loved the flow, enjoyed the setting, and simply cannot wait for the next novel in the series. Very entertaining.” – Rabia Tanveer

“This epic fantasy is a series that had the same effect The Lord of the Rings had on me. The narrative is focused and the author imagines worlds where conflict thrives easily and creates powerful factions with conflicting interests and characters that are sophisticated. The Wolf Lords explores the role played by The Fenrir Brotherhood, an ancient order of sorcerers with dreadful secrets, in a phenomenal conflict. The action is intense and pulsating and the scenes are so beautifully written that they leave vivid images in the minds of readers. F.T. McKinstry establishes a unique, strong signature in the genre of epic fantasy with a series that will set readers on an exciting adventure.” – Christian Sia

“Written for adults due to its dark nature and graphic violence, this is also a highly political and complex tale… The depth of the reading experience is very worthwhile as author F. T. McKinstry puts a lot into the worldbuilding, lore, and history of this setting, giving traditional fantasy fans a lot to sink their teeth into. Different factions have their own ideas about how the world, and the other worlds beyond it, should be run or destroyed, and it’s this mixture of powerful forces which gives the story its excitement. Overall, The Wolf Lords is a superbly told immersive fantasy novel sure to please hardcore fans the world over.” – K.C. Finn

“This is a story that explores the allure of power and the ills that come with it. Conflict is developed at multiple levels and it is interesting how the author builds segments of power and creates powerful groups to oppose each other. The language is unique and the people inhabiting the worlds the author creates have a unique way of naming things. While the characters are drawn from different worlds, the author imbues them with a realism that makes them not so very different from mortals. A sophisticated plot with compelling characters and gorgeous prose. The Wolf Lords follows the tale of an ancient order poised to redeem a world quickly falling apart. It is intense and deeply moving.” – Romuald Dzemo

Check out the full reviews on the Readers’ Favorite Review Page.

Little Tree, by F.T. McKinstry

The Wolf Lords Cover ArtThe Destroyer of the Math Gate has not been idle in the sun’s turn since he nearly defeated the Fylking, his ancient enemies. Wounded, bitter and bent on reprisal, the immortal warlock has gathered an army. He has acquired a spell that will damage the veil between the worlds. And he is waiting.

The Fenrir Brotherhood is an ancient order of sorcerers who serve the Wolf Gods of the North. Haunted by a dark history, the brotherhood keeps to itself—or so it is generally believed. But the older something is, the more secrets it keeps, and the Wolf Lords have not only unleashed an army of demons across the land, but also let the Destroyer in.

When the Veil falls, war erupts and the realm is faced with legions of Otherworld beings, it is left to a sorcerer hunted by the Wolf Lords and a company of King’s Rangers broken by grief and trauma to find a hedge witch whose secrets could change everything.

Unfortunately, she is hiding between the worlds.

Read for free with Kindle Unlimited.
Amazon

Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking.

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil.
Until now.

“The tone is excellent, reminiscent of some of the earliest examples of grim Norse fantasy.” – G.R. Matthews, Fantasy Faction
Finalist, SPFBO 2016

Read for free with Kindle Unlimited.

© F.T. McKinstry 2019. All Rights Reserved.

Creativity and the Fallen Warrior

For three days I’ve been sitting her under a pile of chores and things that need doing. I’m not doing them. I don’t care.

I’ve lost someone I loved to cancer just recently. My cat is sick. I’m sick. In the news, another fifty people were senselessly killed in New Zealand by some fanatic. Another creature sliding onto the endangered species list. Wildfires. Glaciers collapsing. The usual array of messed up, cruel and childish bullshit in Congress. Trump and his stupid fucking border wall. Politicians ranting about every injustice to get us all stirred up for the 2020 elections. Authors and artists begging for clicks. I drift through my Facebook and Twitter feeds, taking the blows.

The only things I respond to now with any glimmer of life are humor, animals, and beautiful things. An otter crunching on a crab. A homeless man giving his last bit of food to a stray dog. A friend’s garden. Esther the Wonder Pig. A funny meme. Anything involving cats. A cool upcoming film about a monster hunter. But every time I laugh or squee, I feel like an asshole. Where are my tears and indignation?

A friend on Facebook recently posted a funding campaign for cancer. It’s not that I don’t care; how could I not? But my mind shut down and I didn’t touch it. And when he posted a picture of his cat I hit the love button. Why? Because the need for support felt like a black hole, while the cat let a ray of light into my heart. Maybe I really am an asshole.

Truth is, I’m numb.

I see plea after plea. We’re all suffering, we all have issues. We must band together to protect and stand for each other, for the environment, for truth and justice. Yes, we must. But when I try to rise and lift my sword, I crumple under the weight. I’m so tired of grief, pain and outrage. It’s incessant. There are only so many times my heart can get hit before it closes down to protect itself. My inner warrior is sitting under a tree, shit drunk, glassy eyed, darkening the earth with the blood of a thousand wounds. Where is all this resolve supposed to come from?

Numb.

Trouble is, I’m not an asshole. The reason I go out and surf the internet fifty times a day is to find things that remind me that my heart is still open. That it can be. That it’s worth keeping that way.

It’s been months since I’ve written or painted anything of note. I need to heal and I feel like a stagnant pool in an old forest, oily and choked with slime, abandoned by frogs, snakes and salamanders. I spend most nights reading fantasy novels and binging on Dark Shadows. But today I remembered something.

The Source

The Source, by F.T. McKinstry

Creativity. It’s one of those words we hear so often that the meaning is lost. To me it’s everything, the source of hope. Anything is possible. But the creative force is tricky. Firstly, the very senses that make me creative are those which expose me to the pain. Close one down and lose the other. Open my heart to the healing waters and I’ll get annihilated. But then there’s this other thing. I can’t shut off the creative force for long; it finds me. It’s very clever. Pain and trauma aren’t the end-all be-all, oh no. They’re like an engine, driving me. All the books and stories I’ve written, the paintings, drawings and poetry. Warriors, seers, sorcerers, old forests, animals, the in-between realms. My realms. Metaphors, visions, psychological archetypes.

Healing. The world would have us believe it isn’t possible. That there is only dissolution, deterioration. How can that be true when we are all creators? Just look around. There are no limits to this. It’s infinite. Divine, even.

I mean c’mon. The cat memes alone…

© F.T. McKinstry 2019. All Rights Reserved.

Demon Tamer

This story is based on an excerpt from The Wolf Lords. It’s a tale about a hedge witch, two dodgy ravens and a sea monster with a score to settle.

Little Tree, by F.T. McKinstry

Old women tell tales of Otherworld beings one must never tangle with. Powerful, elusive and malevolent, these beings will lay traps around one’s ignorance and need, if given the chance. But once in an age, a mortal comes along who dares to either cross or bargain with such creatures…and a darker tale is born.

Ingifrith, an ordinary hedge witch, thinks little of such tales until she falls afoul of the Fenrir Brotherhood, an ancient order of sorcerers who serve the Wolf Gods of the North. They know her secrets. They know her weaknesses. And she has something they want.

So does the sea witch who lures and traps her into a nasty bargain—in return for protection from the Brotherhood’s reach. Fleeing for her life with nothing but a scrap of advice given to her by a demon warlord, Ingifrith must use her wits to trick a seasoned pirate out of a stolen charm, a feat that will either get her killed or placed in the hands of the sorcerers hunting her.

It’s often a good idea to heed old women.

Hell Hath No Fury

Novelette
Pages: 43
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© F.T. McKinstry 2018. All Rights Reserved.

Weighing In: LGBTQ Characters in Fantasy

I grew up in the 70s in Houston, Texas, in a relatively old neighborhood near Rice University. Across the street lived a couple named Bob and John. My mother once told me they were married. Looking back, I’ve realized that couldn’t have been true in a legal sense, but at the time I didn’t question it. Bob was a radiologist and John was an animal trainer. Their house was decorated in rich colors and full of antiques and interesting artifacts. They had an old cat, a pair of ferrets and a cockatiel, and their tiny backyard was a jungle of exotic plants. When they went on vacation, I had the honor of taking care of their plants and critters; and when we went away, Bob and John returned the favor. They were awesome and I loved them.

I ate, drank and slept fantasy novels as a kid. It was sanity; it was identity. My first experience of LGBTQ in the genre was Elizabeth A. Lynn’s Chronicles of Tornor. Many of the characters were LGBTQ, and I liked how it was presented, as a matter of fact. Like Bob and John. A big deal wasn’t made of it one way or the other.

Eaglin of Ostarin

Eaglin of Ostarin

When I started writing fantasy, I unthinkingly followed suit. I wasn’t purposefully drafting LGBTQ characters or anything. When it comes to writing, I’m one of those whack jobs who needs to take every step in darkness and see where it leads. And as any author will tell you, characters have a life of their own. They are who they are, straight, queer or whatever. I suspect trying to assign or remove identity would no more work than it would on a flesh and blood person.

When characters with LGBTQ inclinations do appear to me, however subtle, casual or intense–mortals, immortals, elves, warriors, prostitutes, spies, whoever–they do so without taboos or religions trying to shut them down. They might be good or evil or somewhere in between, but their sexual preferences aren’t singled out, marginalized or labeled, let alone persecuted. This isn’t to say horrible things don’t happen to them, or that some jerk won’t take a shot there for lack of something better, but that sort of intolerance is not part of the culture. Frankly? There’s enough of that bullshit in this world, and I’m not about to map it into mine beyond the throes of love, lust and heartache that everyone deals with. So you’re a man and you prefer to fuck men? Huzzah for you. Grab a sword, we have incoming.

Anyway, a protagonist will step up now and then. Here are a few mentions.

Water Dark Cover Art“Love knows all paths, where even gods and cats are blind.” – from Water Dark

My first LGTBQ character, so dear to my heart, is named Urien. He belongs to the highest order of the Keepers of the Eye, a hierarchical order of wizards who maintain balance in the world of Ealiron. Among other things, Urien can shapeshift into flora, fauna, earth, or fog, and he can cast an apparition or merge with the minds of gods. For years, he has haunted the fringe after having loved and lost a powerful male wizard on the verge of ascension. But such secrets do not hide well. When he delves into the darker powers at the bidding of a shady priestess with a hidden agenda, Urien finds himself facing the loss of everything he loves.

Fortunately, his erstwhile lover has a secret, too.

Little Tree, by F.T. McKinstry

“On soft white pads, he slipped unseen into the trees to the singing of blades and the shudder of the earth drinking blood.” – From “Deathseer”

Liros is the protagonist in “Deathseer,” a short story included in the collection Wizards, Woods and Gods. The commander of an occupying force in a foreign land ruled by the presence of a mysterious alien observatory, Liros has the ability to see the hand of Death, a secret he hides for the sake of sanity, as his commanders would stop at nothing to use it to their own ends.

When a terrible dream drives Liros to check on an outpost, his lords send his lover Thorn, an assassin, to accompany him. Liros knows him well enough keep him close. As Liros’s gift betrays him and exposes a devastating breach of honor by his men, he and Thorn must choose between duty and love, both choices involving bloody consequences.

Little Tree, by F.T. McKinstry

“Arcmael handed the charm to the sorcerer. Leofwine studied it intently, his face drawn. After a moment he said, ‘This is old magic. Very old.'” – From Outpost

Leofwine Klemet is seneschal to the High Constable of the King’s Rangers. Knowing that the quiet, watchful man’s duties to their lord involve something more intimate than those of a seneschal, the rangers suspect Leofwine is a spy belonging to a dark and ancient sorcerers’ brotherhood. So does the suspicious, vengeful high constable. After fleeing for his life on the eve of war, Leofwine becomes a friend and ally to a ranger who also gets on the wrong side of the high constable after discovering a plot behind a curtain of sorcery. Here, Leofwine’s arcane knowledge comes in handy–for he is a sorcerer, of course. And a spy. But no one needs to know about that.

Little Tree, by F.T. McKinstry

“Leofwine breathed a foul string of words, the blood on his body and the void of his lover’s death giving them form, the culmination of spit, roots, hate and tears, eyes that never closed, hunger that was never sated. A sudden gale rose up from the north and whipped the trees into a frenzy.” – From The Wolf Lords

In The Wolf Lords, Leofwine’s full potential is revealed, complete with a host of demons, torments and nasty enemies. An adept sorcerer of the Fenrir Brotherhood, Leofwine has given up espionage and now serves a hall in a remote forest as a protector of their interests. It is a thankless job but for his lover, a prince, and shelter from his enemies, both mortal and immortal.

Fenrir sorcerers tend to have long shadows, and Leofwine is no exception. When his enemies catch up to him (which enemies always do) and reveal a devastating secret involving someone he holds dearer than life, Leofwine goes berserk and summons a demon capable of destroying the entire realm in a maelstrom of blood. This redoubtable act gains Leofwine not only the condemnation of his order but also the title of Wolf Lord, a wry designation used by otherworldly beings such as demonic warlords and sea witches to refer to the servants of Loki.

And this is only the beginning of his troubles.

Little Tree, by F.T. McKinstry

The Chronicles of Ealiron
The Fylking
Wizards, Woods and Gods

© F.T. McKinstry 2018. All Rights Reserved.

Swords, Sorcery and the Summer Solstice


Midsummer Greetings!

Where I live, the winters are long and dark. Summer is fleeting, like a dream in which you can’t recall the bitter cold, muck and gloom of the last seven or eight months. Summer has an almost fairytale quality here, it is so clear, fresh, green and fragrant. No doubt the fact that it flies by so swiftly makes it poignant, like a swan song, and on no day is this so evident as on the solstice, the longest day. After its spectacular sigh, we descend into shorter days again and the curve is so steep, it’s noticeable. By August the shadows start to feel weird.

Cosmic Garden

Cosmic Garden, by F.T. McKinstry

What better day for swords, sorcery, demons and wicked warlords? Na, I can’t think of one either. So for the next month, both books in The Fylking series, Outpost and The Wolf Lords, will be on sale for $1.99. Yep, for the price of a potted geranium you can venture into a Norse-inspired world where the veil is thin, the gods walk and the sword is the order of the day.

What could possibly go wrong? Hah!

Little Tree, by F.T. McKinstry

The Fylking, a high fantasy series woven with Norse mythology, swords and sorcery.

In the worlds of their dominion they are called the Fylking, lovers of strife, song and steel, an immortal race of warriors akin to the Otherworld. Their empires span the heavens; their deities, ruled by the elusive Raven God, embody the forces of war, wisdom, passion and nature.

This series tells the exploits of the Fylking and their mortal observers — warriors, royals, seers, lovers, warlocks and mercenaries — generations upon generations coexisting in uneasy peace with the Gods of War.

Both books contain a glossary and a link to a high resolution map.

Little Tree, by F.T. McKinstry

Outpost Cover ArtOutpost, Book One in The Fylking.

A race of immortal warriors who live by the sword.
A gate between the worlds.
Warriors, royals, seers and warlocks living in uneasy peace on one side of the Veil.
Until now.

“The tone is excellent, reminiscent of some of the earliest examples of grim Norse fantasy.” – G.R. Matthews, Fantasy Faction
Finalist, SPFBO 2016

Read for free with Kindle Unlimited.

Little Tree, by F.T. McKinstry

The Wolf Lords Cover ArtThe Wolf Lords, Book Two in The Fylking.

A wounded immortal warlock bent on reprisal.
An ancient order of sorcerers hungry for power.
Warriors beset by armies of demons and immortals.
And a lonely hedge witch whose dark secrets could change everything–
If only they could find her.

“Awesome book. Loved the first book also. I hope there will be more in the series.” – Customer Review on Amazon

Read for free with Kindle Unlimited.

© F.T. McKinstry 2018. All Rights Reserved.

The Warrior Within

Othin of Cae Forres

Othin of Cae Forres, Ranger of the North Branch

The primordial image, or archetype, is a figure–be it a daemon, a human being, or a process–that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. ― Carl Jung

I once kicked a hole in the kitchen wall. This happened some time ago, in another house, another life. I honestly don’t recall what triggered it. I was wearing a pair of Doc Martens, which made the act particularly satisfying. I can still feel the sensation of the wallpaper exploding as the sheetrock caved in.

I left that hole there for some time, like a sacrifice to a war god. Then one day I knelt there, fixed the sheetrock and lovingly pieced a matched swatch of wallpaper over the wound like a mother patching up a scraped knee. There, there. These things happen.

How This IsDon’t get me wrong, this aspect of my personality as gotten me into trouble aplenty. He’s rising to his feet now, yelling, “Yeah only with people who fucking deserved it.” Debatable; however, my inner warrior stepped up like a boss on the battlefield of my childhood, where I took on a legion of thousands-year-old collective beliefs designed to bully women into being safe and predictable. Girls aren’t supposed to kick holes in walls. Keep it under control, don’t threaten the Powers That Be or you’ll be sorry. No talking back. No swearing. No waving swords or apple tree wands. Throw your weight around and we’ll throw you out. Yada yada. At some point I pushed all that noise off the cliff into the sea.

I like my warrior.

Building a Better Battlefield

Fantasy is hardly an escape from reality. It’s a way of understanding it. ― Lloyd Alexander

There’s this quaint idea that fantasy isn’t real, but only worthy as entertainment or worse, escapism. This is right up there with the idea that dark, extreme music makes people angry or violent ― another garden cart load of crap. As a child, unfortunately, I adopted and then chafed under these ideas because I wanted an escape and I wanted the truth. The whole thing just pissed me off.

In fantasy novels I found my warrior, alive and well and ready to teach me how it’s done. I started out reading books and watching movies, until the forces of an ever hungry and curious psyche drove me into writing. After many years cutting my teeth on worldbuilding, the development of writing skills and the maddening vagaries of the traditional publishing industry, an assassin named Lorth of Ostarin stepped out of my subconscious and into the light. “Would you rather kick holes in walls, or tell my tale?” he inquired. Four books later, Lorth has proven himself to be an exemplary spokesperson for my warrior side.

Lorth of Ostarin

Lorth of Ostarin

Since nothing is complete without music, this tune sums up Lorth nicely:

 

Variations on The Warrior Archetype

The term “warrior” can evoke many images, some of them simplistic; say, a person engaged or experienced in warfare. But there’s nothing simple about this archetype. There are infinite variations. Here are some of my favorites.

The Noble Warrior

Thus came Aragorn son of Arathorn, Elessar, Isildur’s heir, out of the Paths of the Dead, borne upon a wind from the sea to the kingdom of Gondor. ― J.R.R. Tolkien, The Return of the King

Aragorn

Who doesn’t love this guy? He has legendary ancestors, lofty titles, powerful friends and a destiny. He’s done his time. He plays by the rules. His sword has an elven name you can’t pronounce. The golden standard by which all variations of the warrior archetype are defined, he can send you and your shit packing with a deadpan stare.

A Tolkien votary from a young age, I was properly initiated by Aragorn. But I was so innocent. Like a little hare beneath the gaze of a great horned owl.

The Initiated Warrior

A warrior acts as if he knows what he is doing, when in effect he knows nothing. ― Carlos Castaneda

In ancient Norse traditions there were berserkers and warrior shamans called úlfheðnar (wolf-hides), who underwent brutal, powerful initiations. In the wilds they lived like wolves, to reach a state of possession and thereby acquire the beasts’ strength, fearlessness, and fury.

Ripley vs. The Alien Queen

Initiation rites for warriors are as old as time. But sometimes, a person with a warrior’s soul may not be aware of what she’s capable of until put to the test. To my mind, Ellen Ripley of Alien fame fits this aspect well. A warrant officer and first mate of the Nostromo, she becomes the badass we all know and love as the crew starts to realize what manner of thing they’re up against. The sole survivor of a terrifying battle with a superior life form, she goes on to set the record straight for every scientist, android and military type who crosses her path. Who knew?

The Reviled Warrior

Nobody loves a warrior until the enemy is at the gate. ― Unknown

Geralt of Rivia

Geralt of Rivia, the protagonist of Andrzej Sapkowski’s Witcher series, is one messed up dude. Trained as a child by a dark order of warriors called Witchers, he develops supernatural abilities via rigorous training and a ghastly transformation involving sorcery and narcotics, thereby rendering him capable of hunting the nonhuman fiends and beasties that haunt the wilds. With the eyes of a viper, milk-white hair and a collection of scars, he is hated and feared across the land ― until some constable’s daughter ends up shredded by a harpy or something, at which time they are happy enough to hire him.

A thankless job, but somebody has to do it.

The Broken Warrior

He who conquers himself is the mightiest warrior. ― Confucius

Elric of Melniboné

Michael Moorcock’s Elric saga is old-school sword and sorcery at its finest. The protagonist, Elric of Melniboné, is the reluctant emperor of a mighty race with a well-earned reputation for cruelty. Elric is born flawed, an albino with weakness he is only able to overcome with drugs made from herbs and such. Disgusted by his own people, he ventures into the greater world to find his fortune. But he serves Chaos, and wields a malevolent sword named Stormbringer that drinks the souls of its victims, an addiction to which our hero swiftly succumbs, as the blade gives him strength as nothing else can.

Thus tormented, Elric destroys everything he loves, slaughters his own race and at some point has no fucks left to give. He tries to destroy Stormbringer, to bury it, to hide it away. But of course, “What you resist, persists,” and it’s only a matter of time before he’s driven to pick it up again. So it goes.

I’m still rooting for him.

Little Tree, by F.T. McKinstry

Finally, if anything sums up the more shadowy aspects of the warrior archetype, this song does. And well, you know, Seether. C’mon.

Sleep with one eye open…

© F.T. McKinstry 2018. All Rights Reserved.